#it's how my partner and I were able to change our characters' designs to their final forms now without it feeling forced | Explore Tumblr posts and blogs

itsclydebitches · 3 years ago

Note

I keep seeing people calling Good Omens queer bating and a I can't help but ask why? I read the Aziraphale/Crowley relationship threw an Ace lens and they are clearly as close to married as they are probably going to get without stepping on holy ground.... and they love each other... why is it considered queer bating?

Personally, I think it's mostly young queer fans turning legitimate grievances on the wrong target. A case of getting so fed up with queerbaiting in media as a whole that they're instinctually lashing out at anything that seems to resembles it on the surface, without taking the time to consider whether this is, in fact, the thing they're mad at. Good Omens is a scapegoat, if you will. The equivalent of snapping at your partner after a long day. Your friend was an asshole, your boss was an asshole, the guy in traffic was an asshole, and then you come home to your partner who says something teasing and you take it as another asshole comment because you've just been surrounded by assholeness all day, to the point where your brain is primed to see an attack. Your partner wasn't actually an asshole, but by this point you're (understandably) too on guard to realize that. Unless someone sits you down and kindly reminds you of the difference between playful teasing and a legitimate insult - the nuance, if you will - your hackles are just gonna stay up and you'll leave the room, off to phone a different friend to tell them all about how your partner was definitely an asshole to you.

Only in this case, that "friend" is a fan on social media doing think pieces on the supposed queerbaiting of Good Omens, spreading that idea to a) people who aren't familiar with the show themselves and b) those who, like that original fan, have come to expect queerbaiting and thus aren't inclined to question the latest story with that mark leveled against it. Because on the surface Good Omens can look a lot like queerbaiting. Here are two queer coded characters who clearly love each other, but don't say "I love you," don't kiss, don't "prove" that love in a particular way. So Gaiman is just leading everyone on, right?

Well... no. This is where the nuance comes in, the thing that many fans aren't interested in grappling with (because, like it or not, media is not made up of black and white categories; queerbaited and not-queerbaited. Supernatural's finale is proof enough of that...) I won't delve into the most detailed explanation here, but suffice to say:

Gaiman has straight up said it's a love story. He's just not giving them concrete labels like "gay" or "bi" or "asexual," etc. because they are literally not human. Gaiman has subscribed to an inclusive viewpoint in an era where fans are desperate for unambiguous rep that homophobes cannot possibly deny. The freedom to prioritize any interpretation - yes, including a "just friends" interpretation - now, in 2021, feels like a cop-out. However, in this case it's an act of world building (they are an angel and a demon, not bound by human understanding of identity) meeting a genuine desire to make these characters relatable to the entire queer community, not just particular subsets. Gaiman has said they can be whatever we want because the gender, sexuality, and romantic attraction of an angel and a demon is totally up for debate! However, some fans have interpreted that as a dismissal of canonical queerness; the idea that fans can pretend they're whatever they want... but it's definitely not canon. It is though. Them being queer is 100% canon, it's just up to us to decide what kind of queer they are. This isn't Gaiman stringing audiences along, it's him opening the relationship up to all queer possibilities.

We know he's not stringing us along (queerbaiting) because up until just a few days ago season two didn't exist. Queerbaiting is a deliberate strategy to maintain an audience. A miniseries does not need to maintain its audience. You binge it in one go and you're done, no coming back next year required. The announcement for season two doesn't erase that context for season one. No one knew there would be more content and thus the idea that they would implement a strategy designed to keep viewers hooked due to the hope for a queer relationship (with no intent to follow through) is... silly.

In addition, this interpretive, queer relationship between Crowley and Aziraphale existed in the book thirty years ago. Many fans are not considering the difference between creating a totally new story in 2019 and faithfully adapting a story from 1990 in 2019. Good Omens as representation meant something very different back then and that absolutely impacts how we see its adaptation onto the small screen. To put this into perspective, Rowling made HUGE waves when she revealed that she "thought of" Dumbledore as gay in an interview... in 2007. Compare that to the intense coding 17 years before. Gaiman was - and still is - pushing boundaries.

Which includes being an established ally, particularly in his comics. Queerbaiting isn't just the act of a single work, but the way an author approaches their work. Gaiman does not (to my knowledge) have that mark against him and even if he did, he's done enough other work to offset that.

Finally, we've got other, practical issues like: how do you represent asexuality on the screen? How do you show an absence of something? Yeah, one or both of them could claim that label in the show, outright saying, "I'm asexual," but again, Gaimain isn't looking to box his mythological figures into a single identity. So if we want that rep... we have to grapple with the fact that this is one option for what it looks like.

Even if he did want to narrow the representation down to just a few identities for the show, should Gaiman really be making those major changes when he's only one half of the author team? Pratchett has, sadly, passed on and thus obviously has no say in whether his characters undergo such revisions. Even if fans hate every other argument, they should understand that, out of respect, Good Omens is going to largely remain the same story it was 30 years ago.

And those 6,000 years are just the beginning! Again, this was meant to be a miniseries of a single novel, a novel that, crucially, covered only Crowley and Aziraphale's triumph in being able to love one another freely. That's a part of their personal journey. Yeah, they've been together in one sense for 6,000 years, but that was always with hell and heaven on their backs, to say nothing of the slow-burn approach towards acknowledging that love, for Aziraphale in particular. We end the story at the start of their new relationship, one that is more free and open than it ever was before. They can be anything to one another now! The fact that we don't see that isn't a deliberate attempt on the author's part to deny us that representation, but only a result of the story ending.

So yeah, there's a lot to consider and, frankly, I don't think those fans are considering it. Which on a purely emotional level I can understand. I'm pissed about queerbaiting too and the knee-jerk desire to reject anything that doesn't meet a specific standard is understandable. But understandable doesn't mean we don't have to work against that instinct because doing otherwise is harmful in the long run. We need to consider when stories were published and what representation meant back then. We need to consider how we adapt those stories for a modern audience. We need to acknowledge that if we want the inclusivity that "queer" provides us, that includes getting characters whose identity is not strictly defined by the author as well as characters with overtly canonical labels. We need both. We likewise need to be careful about when having higher standards ends up hurting the wrong authors - who are our imperfect allies vs. those straight up unwilling to embrace our community at all? And most importantly, we have to think about how we're using the terms we've developed to discuss these issues. Queerbaiting means something specific and applying it to Good Omens not only does Good Omens a disservice, but it undermines the intended meaning of "queerbaiting," making it harder to use correctly in the future. Good Omens is not queerbaiting and trying to claim it is only hurts the community those fans are speaking up for.

#good omens #mymetas #queer

249 notes · View notes

aspoonofsugar · 3 years ago

Text

Jaune: Zero to Hero

Pyrrha: It's not about why; it's about knowing. Understanding dark and light helps us manifest our Aura. Everyone has some of both.

Knowledge, Creation and Destruction all lead up to Aura. This is just another way to say that they lead up to individuality, which is something Grimms lack:

Pyrrha: They are creatures of Grimm, the manifestation of anonymity.

Individuality is conveyed through Choice. This is why Choice is the most important and final gift. It is symbolic of self-actualization, which is what our characters are pursuing in their coming of age story.

Jaune’s personal arc comments the group’s collective journey and marks each stage very clearly.

In which way does it happen? And what do these stages mean for Jaune’s growth as an individual?

THE IGNORANT WARRIOR

Pyrrha: Jaune, do you... know what Aura is?

Jaune: Psch! Of course I do! Do you know what Aura is?

Jaune is introduced as inexperienced and ignorant. He lacks combat experience and knows nothing about key concepts like Aura, Landing Strategy or Semblances.

His journey starts because Pyrrha shares her knowledge with him:

She awakens his aura, his very soul and later on trains him, so she helps his body get stronger:

In other words, Pyrrha is the one who puts Jaune on the right path to become a true “hero” and a “warrior”.

This is Jaune’s objective since the beginning, but he initially pursues it in the wrong way:

Jaune: I don't want help! I don't want to be the damsel in distress! I want to be the hero!

He is fixated on an idea of hero which is outdated and has its root in toxic masculinity:

Jaune: Cause this is always what I've wanted to be! My father, my grandfather, and his father before him were all warriors! They were all heroes! I wanted to be one, too. I was just never good enough.

This is why symbolically Jaune wants to be like his male ancestors. He wants to grow into “a real man”:

Cardin: Let's see how much of a man you really are...

And this is conveyed also through his Weapon:

Jaune: It's a hand-me-down. My great-great-grandfather used it to fight in the war.

Jaune did not forge his own Weapon, but he inherited it. Crocea Mors initially represents the legacy he wants to live up to. However, this legacy, instead of driving him, slows him down because he can’t grow until he remains in his ancestors’ shadow. Jaune needs to develop his own individuality instead.

In order to do so, he needs to grow not only as a figther, but as a person too.

As a matter of fact, Jaune’s ignorance is not only limited to the world he has stepped into, but also to the people around him:

Jaune: That's easy for you to say. You've probably got guys clamoring over each other just to ask you out.

Pyrrha: You'd be surprised.

He is so self-focused that he does not notice others’ feelings and hurts them unintentionally.

However, Pyrrha teaches him once again:

Pyrrha:Tell her exactly what you said. No ridiculous schemes, no pick-up lines. Just... be honest.

It is thanks to her that Jaune manages to become a better man:

He is even able to call Neptune out the way Pyrrha did with him:

Jaune: Then just go talk to her. No pickup lines, no suave moves, just be yourself. I've heard that's the way to go.

And as a result, even Jaune’s relationship with Weiss gets better:

Weiss: You said you were embarrassed at first. What made you come talk to me?

Neptune: You're looking at him. You got some good friends looking out for ya.

Because the girl realizes Jaune is not only after her money or her romantic attention:

Weiss: All my life, boys have only cared about the perks of my last name.

But wants to genuinely be a good friend to her.

In short, Jaune starts the story as immature both as a fighter and as a person to the point that he is considered unfit and annoying by other characters:

Glynda: I don't care what his transcripts say. That Jaune fellow is not ready for this level of combat.

However, thanks to Pyrrha, he is given the chance to mature.

Not only that, but while other characters see a weakness and a nuisance in Jaune’s ignorance and inexperience, Pyrrha sees it as a possibility:

Weiss: Jaune, is it? Do you have any idea who you're talking to?

Jaune: Not in the slightest, snow angel.

Weiss: This is Pyrrha.

It is specifically because Jaune is new to Pyrrha’s world that he is free from bias:

Pyrrha: That's what I like about you. When we met, you didn't even know my name. You treated me just like anyone else. And thanks to you, I've made friendships that will last a lifetime. I guess, you're the kind of guy I wish I was here with. Someone who just saw me for me.

This is why Pyrrha feels she can forge a genuine bond with Jaune. What is more, the girl has faith in his potential:

Pyrrha: It's all right. I used my Aura to unlock yours, but the energy that protects you now is your own. You have a lot of it.

She sees in him what others do not and helps him develop both as a man and as a warrior.

This is well highlighted by the metal motif the two characters share.

As @hamliet explains here Rwby has several characters linked to the seven metals of alchemy.

The goal of alchemy is to create gold thanks to a process of refiniment that purifies the metal and has it go through several transformations.

The seven metals are nothing, but a scale that goes from the heaviest and most raw metal (lead) to the most purified (gold) passing through the others (tin, iron, copper, mercury, silver).

For a story, it simply means that a character goes through a process of change that leads to self-actualization.

In Rwby this idea is conveyed through specific characters embodying a metal (Ironwood, Penny, Mercury) or even thanks to metal motifs commenting a specific part of a character arc.

For example, Yang is associated with gold:

I am the golden one Who burns just like the sun

But Adam takes her arm away and has her regress in the scale of metals to iron. This regression is not simply physical, but psychological as well:

However, Yang re-affirms herself and moves forward. The first step of this process is to symbolically make her new arm “gold” again:

When it comes to Jaune, I think that he may be the character associated with lead aka the “prima materia” that needs to be molded into gold. Even if this is not true, metal is at least definately still a motif in his arc, as it is in Pyrrha’s. This is why both characters wear metal armors, differently from others.

Pyrrha is already close to her self-actualization and she reaches it in the climax of the Vale arc, where she completes her (tragic) arc and dies a Maiden.

This is why her armor is gold, while Jaune’s is white and gray. Pyrrha is at the top of the metal scale and close to the end of her journey, while Jaune is respectively at the very bottom and at the very beginning.

He is the embodyment of the prima materia that has potential for greatness, but only if he is rightly guided and if he himself works hard.

Pyrrha takes over herself the duty to help Jaune mold himself.

This is underlined also by Pyrrha’s semblance:

Pyrrha: Well, Ruby has her speed, you have your glyphs. My Semblance is polarity.

Pyrrha can control and bend metals and she shows her power for the first time when she helps Jaune against the Ursa, so that he can overcome his self-issues.

So, Jaune starts the story as the lead and is going through a path of self-refinement which will lead him to become gold, so more similar to Pyrrha herself.

Pyrrha offers him the basic knowledge to start this journey, but unluckily leaves him too soon and now Jaune has to move forward on his own.

THE CREATIVE AVENGER

Pyrrha: I want you to know that I'm just happy to be a part of your life. I'll always be here for you, Jaune.

Even after Pyrrha’s death, this stays true:

Blacksmith: That was some fine metal you brought me. Accents the white nicely. Where'd you get it from?

Pyrrha has become a part of Jaune.

This is a recurring motif in Rwby:

Penny: I won’t be gone, I’ll be part of you.

It is the idea that grieving is a process that leads to acceptance, but also to integration with a lost one. It is a way to have the deceased keep on living through the survivors.

In Jaune and Pyrrha’s case, this is conveyed through Pyrrha’s metal being used to enrich Jaune’s Weapon.

As stated by Ruby:

Ruby: Just weapons? They're an extension of ourselves! They're a part of us! Oh, they're so cool.

Weapons are symbolic of the self, just like Semblances.

What is more, Weapons and Semblances are also a declination of the dychotomy of body and soul, presented by the series.

Weapons are wielded by bodies, while Semblances are a materialization of the soul.

In other words, Pyrrha’s gold becoming a part of Jaune’s Weapon is symbolic of Jaune’s first step in a painful process that will lead him to overcome his partner’s death and to inherit Pyrrha’s legacy.

Jaune must keep on learning from Pyrrha and become more like her. As noted by @hamliet, this is symbolized also by Jaune’s design aquiring more golden details as he goes on in his journey:

Jaune: Guess I was going to grow out of it eventually.

Ren: A sign of progress.

Jaune: Progress.

That said, grieving is not easy and Jaune must struggle with much pain and negative feelings.

This is why the changes he makes to Crocea Mors are finalized to increase its attack power:

It is because Jaune feels anger over Pyrrha’s death and wants revenge.

In the Battle of Haven he gives in to his fury and tries to kill Cinder. He is trying to superficially imitate Pyrrha’s sacrifice:

Jaune: If I die buying them time, then it's worth it. They're the ones that matter.

However, he is not doing it out of bravery or necessity, but out of recklessness and self-hate. This is why his actions lead to this:

Once again, Jaune risks to lose another loved one:

Jaune: No, no, no, no, not again! Weiss, c'mon, please!!

However, this time he is able to save Weiss thanks to his Semblance:

Jaune: My Semblance?

Nora: How else do you think you're healing her, dummy?

Jaune gives up on using his Weapon to fight and chooses to use his Semblance to cure. He chooses soul over body and Creation over Destruction.

At the same time, Jaune’s activation of his Semblance is meaningful on two levels:

Jaune: No. I don't think I'm healing her. Our Aura heals our bodies. It feels... it feels more like I'm using my Aura to amplify hers!

Nora: Wait, aren't you worried about running out?

Jaune: Pyrrha once told me I've got a lot of it. I still believe her.

First of all, Jaune’s Semblance is rooted in the idea that people heal themselves. His power is not to cure others, but to amplify others’ auras, so that they can become stronger and can heal. It is about bringing out the best in others. It is a power fit for a leader, but also an ability symbolic of Jaune’s own process of healing. He can heal himself through helping others to heal.

Secondly, Jaune’s Semblance is in itself a nod to Pyrrha. Pyrrha used her own aura to awake his and Aura Amp is simply an evolution of this idea. It is not about activating others’ auras, but it is a power that lets Jaune share his. It also makes good use of something Pyrrha noticed immediately aka Jaune’s huge quantity of aura.

In other words, Jaune ends up acting like Pyrrha in the Battle of Haven, but not because he fights Cinder, but because he shares his gift with others, just like Pyrrha did with hers.

Pyrrha is a part of Jaune both in body (Crocea Mors) and soul (Aura Amp), but Jaune must still truly understand what this means.

He makes progress in Lost:

Red-Haired Woman: She understood that she had a responsibility... to try. I don't think she would regret her choice, because a Huntress would understand that there really wasn't a choice to make. And a Huntress is what she always wanted to be.

This is the essence of Pyrrha’s sacrifice. Jaune comes to understand it and chooses to make a similar choice together with his team:

Jaune: I think... I think she knew she wasn't going to win. That she might not come out alive. But... she also knew she was the only one that could try.

Ren: So she did.

Nora: Maybe we should too.

Jaune: Yeah, we should.

In this way, it will be as if Pyrrha were fighting together with them:

Nora: Pyrrha may not be by our side anymore, but we can fight like she is.

Jaune: And in a way... she will be.

Jaune tries to overcome his anger and his sadness for Pyrrha’s death in order to keep fighting like she did.

So, once again he chooses this:

Ruby: I wanted to protect my friends.

Maria: Precisely! It is the desire to preserve life which fuels the light inside you. And to make no mistake, it is light. Preservation is an extension of creation, or, at the very least, an enemy of destruction. The Creatures of Grimm were made by the God of Darkness, but your light comes from his brother.

He chooses to protect life and this is the essence of Creation.

Once he confirms this choice, he is free to explore Creation’s potential and he does so in the land of Creation itself, Atlas.

He strengthens his shield instead of his sword:

And he trains his Semblance:

Oscar: Nice, your recovery is getting faster.

This all leads him to become stronger psychologically:

Ren: Him on the other hand... There's no fear at all. I can see it, he believes we're going to get this done.

That said, Jaune starts meeting limits to his new found strength rooted in Creation:

Jaune: Ah, sorry. No matter how much I boost you, they won’t go away.

Jaune: Did... I stop the virus?

Penny: No. It’s still there.

Jaune’s way to move forward is to heal himself through healing others. Still, what to do when this is not possible?

THE DESTRUCTIVE HEALER

Penny: No… there’s not enough time to heal me…

Penny: But there is something you can do…

What happens in Atlas is an inversion of Haven.

Penny pushes Jaune’s Semblance away and touches Crocea Mors.

Jaune is asked to give up on healing her and to speed up her death instead. He is asked to choose his Weapon (body) over his Semblance (soul) and Destruction over Creation.

This marks the characters entering the Destruction phase:

Leaving Creation (Penny) behind.

For Jaune, this means that his own self image that he has worked so much to build and to make his own:

And that has been enriched in Anima thanks to Pyrrha...is shattered:

At the same time, he is once again put in a similar spot as Pyrrha:

They both become unwilling agents of Penny’s death because of Cinder (and Emerald and Mercury in the first case):

Pyrrha: Ruby, I... I'm so sorry.

Ruby: Me too. But it wasn't your fault.

Jaune: She's right. Whoever was on that microphone... they're the ones that did this. And we have to make sure they don't take anyone else.

So Jaune’s journey to integrate with Pyrrha, to understand her and her struggle continues.

What now?

It is too soon to say because we have yet to properly start our journey through Destruction and what it is about.

That said, there are two things that are worth highlighting. The first is a motif Rwby is following, while the second is a general theme found in many stories.

1) As @hamliet has stated in many metas and as I have written here, Rwby is an alchemical story. Alchemical stories are usually marked by three important deaths. Each death is symbolically linked to a color. They are usually black, white and red. However, sometimes there can be yellow instead of the white or the red. This is the case here, where a resonant death is the yellow death aka Penny’s.

It is a death that happens while the characters are surrounded by yellow:

And it happens through a weapon called “Yellow Death” (Crocea Mors’s meaning). So, it is really not subtle. Penny’s death is meant to mark an important passage for our protagonists, just like Pyrrha’s one (the black death).

2) It is common in stories that deal with healers to explore the concept of death as well.

The basic idea is that a healer is a person meant to cure. That said, they will meet people impossible to cure and that will die on their watch. This is an unescapable truth a true healer must live with.

Let’s highlight this theme is found in works very different for genre and culture.

Let’s have two examples.

Scrubs aka an American comedy about doctors deals with this theme multiple times. In many episodes the characters must simply accept they can’t save a life, but must still not lose hope and keep on living themselves.

Yosano from the manga BSD says so:

Her backstory explores the link bewteen life and death further since it is shown that a power that cures fatal wounds can be used to cheapen life itself:

It is too soon to say if Rwby will explore a similar theme, but the fact that Jaune, (the healer) is the one that has to speed up Penny’s death might be a very powerful and poignant choice. This is true especially because Rwby does not refuse Destruction (and so does not refuse death), but presents it as a principle equal to Creation (so as a part of life).

THE CHOOSING HERO

Jaune’s arc is about living Pyrrha’s death over and over again with different scenarios and outcomes. This happens so that in the end he can finally overcome it.

So far, it has happened three times and each time has been in the climax of an important battle.

The Battle of Beacon has him witness powerlessly to Pyrrha’s death (lack of knowledge and passivity).

The Battle of Haven has him saving Weiss (creation).

The Battle of Atlas has him killing Penny (destruction).

What is more, every time Jaune becomes more proactive and conscious of what he is doing.

In Beacon he has no idea of what is happening. He works with little information and things happen to him without him being able to do anything.

In Haven his actions lead to Weiss being in danger, but he manages to save her. That said, he does not do it consciously. He unlocks his Semblance because of emotional stress. It is an unconscious choice and not a conscious one.

In Atlas he makes a specific conscious choice, but it is a choice that is forced on him because of external circumstances. It is also a choice that is meant to challenge and temporally break him.

In other words, he is slowly and painfully approaching Choice aka self-actualization. Right now, he has to face the consequences of Penny’s death, but this will probably lead him to finally enter the Choice stage and to complete his arc by becoming a “hero” aka gold (probably).

At the same time, this final choice will also be about healing and overcoming grief. It will be the final integration with Pyrrha and him being able to honor her legacy.

After all, we have been told from the beginning what Pyrrha’s fate would have been. We’ve just failed to notice:

Pyrrha: For it is in passing that we achieve immortality. Through this, we become a paragon of virtue and glory to rise above all, infinite in distance and unbound by death. I release your soul, and by my shoulder protect thee.

June and Pyrrha’s bond is eternal and she is meant to be the key character in Jaune’s arc. It is only through confronting and finally overcoming her loss that Jaune can finally self actualize and become the person Pyrrha has always known he could be. Pyrrha will symbolically be with him in this struggle. Her memory will protect and inspire him.

#rwby #rwby meta #jaune arc #arkos #rwby arkos #pyrrha nikos #tw: penny's death #jaune x pyrrha #my meta

163 notes · View notes

diervorn · 2 years ago

Text

So I did my first run of Body Count from the perspective of my boy Maddox "Mads" Ward! (I'll be going through with new perspectives to see how other characters develop, too!) Under the cut because oops, I got excited!

Personal

It was born from a desire to change himself! Mads has never been one to hog the spotlight before; the mortifying ordeal of being known by thousands of strangers is terrifying for him, but he pushed himself to make a big shift for the sake of expanding his comfort zone! He maintains the day-to-day operations of a boarding house that's also his home, so interpersonal connection comes with the territory!

He's from a small (fictional!) town deep in the Pacific Northwest called Timber Lake. Tons of forested areas and greenery where everybody knows everybody, so living in an isolated island paradise is a big change!

His mom and sister were both enthusiastically supportive, but his prickly little brother (emotionally constipated to the nth degree) chose to express his worry by chewing him out for going on a stupid, shallow show made for stupid, shallow people, haha! On the day he was supposed to leave, Mads gave everyone the biggest bear hug possible and Theo didn't want to let go. 🥺

Mom Friend frfr. Total mother hen, eternal designated driver, needs to feel useful at all times or he'll explode.

Wholesome boy next door! Mads is big, all long limbs and broad shoulders, and it's as if to soften his intimidating stature that he dresses down as much as possible. This is a sweater boy through and through, no tatts or piercings to speak of (at least, not after The Incident™)

He owns several dogs he picked up as strays and just couldn't let go of them!

Relationships

Mads' partner was Vinh! He encountered them while he was busy, uhh, acclimating (read: having a panic attack) to the new environment, and they were able to talk him through it. Since then, he's been smitten, albeit very conscious of their boundaries and being careful not to overstep past what they're comfortable with.

He's a diehard monogamist and will stay loyal till the end, but if his current partner were to break things off, he'd respect their decision and do his best to make a connection with someone else! His romantic ideal of soulmates is in tension with his belief that there could be multiple people right for you if you're open to it, so who really knows what the future holds?

Our mans is attracted to hot messes in human form; he's a fixer, a caretaker, he sees a problem and he's already thinking about ways to solve it. He loves dreamers, folks with their head in the clouds, because it's such a contrast to how he's always focused on the practical, the tactile, things that are right in front of him that he can see and touch. He admires people who have a strong sense of self and know exactly what they want in life, even and especially if they end up making a bit (or a lot) of a mess in getting there.

He really gets along with Adegoke! There was someone else he really felt was a kindred spirit, but, well...

Image below for illustrative purposes.

The Real Body Count Was The Friends We Made Along the Way

"Oh God oh God oh God oh God oh fuck fuck fuckfuckfuckfuck I need to do something I need to help they could still be okay come on you need to move why aren't you moving just MOVE." Repeat ad infinitum!

Not partners, but he really did feel a connection with them! Because his ego was stung at Vinh not initially picking him, he found Ellis' contrasting openness to be charming and endearing! If their partnership didn't work out, Mads could have easily imagined a future with Ellis, at least had he been given the chance to get to know them better.

He really wanted to believe it was just an injury, to the point of denying what he saw and his gut instinct. The comfort of hoping he'd still have the opportunity to see and speak to them again was too powerful to give up. (And then, well...)

The idea of suspecting anyone makes him sick to his stomach, but right now, Atticus hasn't been doing anything to foster any trust. It might be too obvious and on-the-nose, but Mads is an extremely emotionally-driven character whose heart rules over his head in basically all things, and he can't get the image of Atticus standing over the body and doing nothing out of his head.

No. Never. ... is his immediate, kneejerk response, but hey, in the heat of the moment, if lives are on the line and there's no other way? Heart over head. The reality of it, even through self-defense or protecting others, would leave him absolutely shattered beyond measure.

Bonus?

He's actually got a childhood sweetheart he's still holding a torch for, though they haven't seen each other in many years. Part of him will always keep that connection close, even if he finds someone new in the process.

The Great British Bake Off counts as reality TV even if it's not romance, yeah?

Body Count Asks

Hey, I'm Coco, and @bodycountgame is one of my favorite interactive fiction! I would love to know about your MC

📝Let's get personal 📝

What about the reality show intrest your MC? What's was their occupation?

Where is your MC from?

How did their family react to the sudden decision to be on reality TV?

Reality TV ain't all Reality.... what's a trope that describes your MC the best. (Villain, Girl/Boy/Person next door, airhead...)

Describe their style! I mean hair, tattoos, piercings, the WHOLE NINE YARDS.

Wild card!

❤️ Relationships 🧡

Who did your MC partner up with? And why??

Speaking of body count..... is your MC planning on being loyal or are their going to hop to the next one..

What's their type?

Not every relationship is sexual! Right now who's your MCs bestie?

..... who's their worstie?? 👀

💀There's been a MURDER Injury 💀

How did they react? Inner dialog and all

What was their relationship with the victim... were they partners.

Did they believe that Ellis was alive? Or did they call it out?

Who does your MC think did it? Like number 1 on their suspect list... why...?

If it comes to down to it... can your MC add a body to their body count?

BONUS: Any juicy details you got on your MC?

BONUS²: A iconic reality TV meme that describes your MC

#Body Count #IF

72 notes · View notes

shihalyfie · 4 years ago

Note

You talk a lot about how the Digimon are born from the kids own souls, would you be interested into describing how the digimon partners reflect their humans' personalities?

Oh man, I love this topic! (You’ll have to forgive me in that my desire to do justice for it is why it ended up taking me this long to answer it.)

The part about the Digimon literally being part of the kids’ souls comes directly from official (it’s been mentioned several times, not only in what I just linked). This was never stated outright in the original Adventure or 02, and it took until Kizuna to really shove the link between the partner and the human’s inner self in your face and make it a huge part of the actual story, but fans had been catching onto it long before that, and even without reading what the staff had said. Kizuna throws a bit of a nail in this because it’s said to be a bit lore-noncompliant, but considering how much of the background lore it still goes out of its way to adhere to, and the fact it still does match the fundamental concept of “human heart = Digimon partner” regardless of detailed minutiae, we can still apply and analyze this concept with no problem, especially since Adventure and 02 always walked the line between sci-fi and fantasy, and there is undoubtedly a spiritual element to them no matter how you look at it.

(My personal comfort zone in analyzing Adventure and 02 comes moreso from a human behavior and mentality perspective, which is also why my meta on this blog tends to focus more on the human drama aspects of Adventure and 02 and especially the latter’s story being so heavily about human relationships, but if you’re interested in said spiritual elements, I heavily recommend @analyzingadventure‘s very comprehensive meta on Adventure background lore and themes, which also covers similar territory in detail. We’re different people, so our takes on it probably differ in some respects, but that’s the beauty of having different perspectives, after all.)

In any case, back to your question. I think it would be best to break this down piece-by-piece with the Adventure and 02 kids in detail, so more is under the cut!

...Well, okay, before we continue, I do want to touch on something briefly, and it’s regarding the fact that “evolution” in this series is generally a metaphor for human growth. That counts for when everyone gets their evolutions, but it also counts as a metaphor overall -- after all, Adventure is about self-assertion and pushing oneself as far as possible (the major evolution gimmick being tied to Crests), whereas 02 is about cultivating differing aspects of yourself and applying it to how you form relationships with others (the major evolution gimmick being tied to Digimentals and ultimately Jogress). The human self is quite a flexible thing, and the Digimon themselves quite often change personalities as they evolve. (I touched on this briefly in my discussion of honorfiics and first-person pronouns earlier, but in Japanese, the Digimon will often even change personalities and speech patterns as they evolve.) This also leads to a few other potential observations (not really corroborated by official, just my personal view of it):

Speaking from a meta perspective, the fact that only the “front protagonists” end up getting the highest level forms is pretty obviously so they don’t have to spend toy budget on allocating it to everyone, but from an in-story perspective, Adventure episode 50 adds an implication that not reaching as high of a form may also have to do with how inherently attuned one is to combat (Jou says that he believes that Gomamon will never reach Ultimate because he doesn’t have the sort of strength Taichi and Yamato do, and it contributes to his conclusion that his skills are more meaningfully applied as a healer instead of as a fighter). Of course, none of the Adventure or 02 cast is necessarily the belligerent type that inherently likes fighting in itself, but of course certain ones are less emotionally drained or more attuned to it, so you might be able to see a rough pattern there. (Again, I’m not going to sugarcoat how this still has a lot of dismaying issues on the meta level, but the difference between “how much this sucks on a meta level” and “whether this at least tracks in-story” is a common theme on this blog.) In a franchise sense, Digimon were of course conceptualized as fighting monsters, but within the narrative of Adventure, it probably stands to reason that having a manifested part of your soul or inner self shouldn’t necessarily mean they have to be fighting things all of the time unless it’s necessary.

It’s very often been pointed out that the 02 cast is at a sort of “combat disadvantage” compared to their seniors (well, and Takeru and Hikari, anyway) because their highest forms require two people/Digimon to be in play, so their overall combat power is rather low. My impression is that this is by design (and it’s a subversion of the usual expectation of shounen anime sequels where the sequel will often power creep everything to make the new guard outdo the first). That the 02 team is inherently dependent on each other for support, and to a degree far more than their seniors, is rather baked into its narrative, and moreover, from an in-story perspective, the 02 group doesn’t seem like the type to really care about being outflanked by their seniors (on the contrary, they’d probably take that as more proof that their seniors are amazing). Moreover, the forms you see their Digimon in most of the time tend towards the smaller Baby-level forms instead of the Child-level ones, and while this is partially due to plot logistics about being in the real world (and, admittedly, kind of inconsistently applied), it gives you a much stronger impression of the 02 kids and their partners in general being people who aren’t that individually imposing or strong and get more mileage out of flexibility and variety (see: the Digimentals and the huge number of lower-level forms the kids have access to).

With this kind of metaphor, I caution against taking it too literally as a 1:1 thing (especially since official has been generally quiet about it and there isn’t much in the series text itself to corroborate this), but I do think there is certainly some kind of relevance that’s worth thinking about.

Many people, including the official notes I just linked, refer to there being some Digimon partners that are "like-minded” with their partner, and some that are “opposite” in personality. This is roughly true, but I find this to be a very simplified description of the concept; it’s more like all Digimon partners are a reflection of the less easily exposed part of their human partner (and, most pertinently, the part that would allow them to express themselves in ways they wouldn’t normally), it’s just that the kids with more straightforward or less extreme personalities don’t have as much to hide or cover up in the first place, and so their partners come off as more “like-minded”. Even Urawa Megumi, voice of Iori and Armadimon (arguably one of the pairs of partners that seem “opposing” in personality), stated that she didn’t personally feel like the two characters are all that different, since humans have different sides to them, and Armadimon is functionally an expression of the side of Iori that isn’t apparent.

Because the Adventure narrative has the Digimon partners be linked to human mentality, this leads to the side effect that you won’t have a Digimon partner who ever truly denies the human partner (barring external factors like Evil Ring-induced brainwashing), which is something producer Seki Hiromi was quite insistent about. That said, this is a very Adventure and 02-specific thing, since other series go more into different angles about how one would approach partnership when this factor is not in play; half of Tamers’s drama regarding partners comes from the fact they are not necessarily mentally linked all of the time, and need to find a way to build a relationship by bridging that gap, and so non-Adventure universe entries are more freely able to explore the concepts of a Digimon partner more consciously entering conflict with their human partner. Well, that’s the beauty of having a multi-entry franchise, after all.

Taichi and Agumon

Taichi and Agumon immediately jump to mind as the first among the “like-minded” pairs, especially since the series shows them so often in sync and chilling together. Taichi himself is a straightforward person, so it stands to reason that his straightforward personality would also lend to Agumon coming off as being rather much like him.

However, there is one slight difference between the two, and it’s that Agumon has a somewhat stronger sense of “easygoing chill” than Taichi does, right down to using the more polite boku first-person pronoun in contrast to Taichi’s more assertive ore. He also lacks Taichi’s penchant for mild insensitivity -- in fact, very unlike Taichi, he has an incredible amount of emotional insight (02 spends quite a bit of time in 02 episodes 32 and 46 to showing off Agumon as someone who makes up for all of his lack of intellectual understanding with emotional and borderline poetic insight). And, really, while Taichi is a bit surface-insensitive, and while he seems to be impulsive, he actually is a conscientious person and is trying his best in his own way, and he isn’t the kind of person who cares about societal things like seniority, and he demonstrates multiple times that he’s easygoing and chill, and so you can say that’s a part of Taichi as well. Remembering that a Digimon partner’s presence helps their own human partner grow, Agumon being so openly friendly helps Taichi maintain good relations with others without running afoul of them.

One of Agumon’s most famous traits is that he likes food, which is not actually something that was in the original Adventure or 02 all that much but has been somewhat exaggerated since. That said, back in Adventure, while it was established that all Digimon regularly need food in order to maintain their evolutions, Agumon would usually be the first to complain “I’m hungry,” and whenever they did get food, Agumon would be one of the most prominently enjoying it. Food is, after all, one of the simplest and most universal of pleasures, and there’s a lot of visual framing of Taichi chowing down just as ravenously as Agumon is -- so, honestly, he probably got it from him.

Taichi also speaks a bit about his pain of being separated from Agumon in the space between Adventure and 02, and he directly refers to Agumon as “the other me”. The word “partner” was not actually used very much in the original Adventure or 02, and Taichi is not able to fully elucidate the sentiment of Agumon’s connection to his own self, but he still understands this much and why the loss cuts him so deeply, and by the time we get to Kizuna, it’s presumably why he uses similar language in his thesis proposal to refer to him. (I already covered the circumstances of Agumon’s relationship to Taichi’s existential crisis in Kizuna and how it led to their separation earlier, so I will omit it here for the sake of avoiding redundancy.)

Yamato and Gabumon

This might surprise some people to hear, but I would also pin this as one of the more ostensibly “like-minded” pairs. Gabumon is shy on the surface, but turns out to be quite passionate -- he uses the same assertive ore as Yamato, in contrast to Agumon’s boku, and he demonstrates his capacity for passion and action in that he’s arguably one of the most assertive in the cast. Note his taking initiative against Yamato’s frostbite in Adventure episode 9, or declaring his intent to stay with Yamato even if it means going against the others in Adventure episode 44, or singlehandedly dragging Yamato out of the hole of darkness in Adventure episode 51.

And, of course, Yamato himself is someone who initially seems a little awkward or detached around everyone, but is actually very passionate, so that’s all the same. And because Gabumon himself is so open about communicating with the otherwise closed-in Yamato, Yamato is able to express himself better over the course of Adventure.

Funny thing about that “shyness”, too -- the idea of Gabumon being particularly shy isn’t present in 02 much at all (we don’t get to see him very much, so it’s hard to say whether it’s completely gone, but it’s at least gone enough for the duration of his appearances). Which is funny, considering: guess who else stopped being shy and became naturally outgoing in 02? Yeah, so, as much as you might hear people (even official!) claim that the Digimon are static while their partners change, that’s not completely true -- the Digimon themselves develop in personality in the same way their human partners do. It’s just more subtle and less drastic, since they’re representing an abstract single part of their personality rather than being an exact match.

Sora and Piyomon

Sora and Piyomon have an interesting relationship in that they’re the only one where their relationship started off on a note of conflict -- mainly in that Sora was very put off by Piyomon at first and even looked down condescendingly on her (well, only for the duration of a single episode). In fact, Sora’s own surface behavior is very different from the kind and caring Sora we know -- Sora dislikes associating with the clingy and affectionate Piyomon for being “mushy”, and even declares that she doesn’t want to “take responsibility” for lugging her around.

Of course, Sora’s character arc later revolves around the fact that she has abysmally bad self-awareness and doesn’t even realize that she has a compulsive sense of responsibility to others. So Sora is affectionate and loving -- she just puts up a front of trying to act a little above that (well, at least, during this part of the series) and doesn’t even see herself as someone capable of being like that (again, purely during this part of the series).

Piyomon is also interesting in that she has one of the most dramatic personality shifts even as early as Child to Adult, where she suddenly switches from the casual atashi to watashi (sometimes even kono watashi, which is super regal), and becomes incredibly dignified and regal even as Birdramon, and you can certainly see why Sora immediately started taking her seriously thereafter. It also begs a lot to think about, considering Sora’s very convoluted character and the many layers of herself that even she isn’t consciously aware of.

The way Piyomon helped Sora shift her own mentality is pretty directly handed to you on a plate in Adventure episode 26 -- because Piyomon played the role of Sora in the metaphor of Sora’s behavior towards Piyomon correlated to Toshiko’s behavior towards Sora, Sora was able to re-adjust her position relative to her family and consider her both someone capable of love, and someone who is loved.

Koushirou and Tentomon

Koushirou and Tentomon are another pair that initially seem like they’re opposing types, with Koushirou being constantly curious and Tentomon being comparatively simple-minded, but the first key to figuring out where the similarity is ends up being a bit deceptive -- Tentomon says in Adventure episode 5 that he’s not particularly interested in himself. And, certainly, Koushirou is interested in Tentomon, but he, too, is not interested in himself -- in fact, he considers himself to be a topic he’d rather avoid instead of looking into everything else.

As far as language goes, while Tentomon does also use the stereotypically easygoing Kansai dialect, he also specifically uses the polite form, mirroring Koushirou’s own perpetual use of polite language. But unlike Koushirou, who uses it to keep distance from others, Tentomon is in fact very sociable, and is even portrayed as a Digimon who’s conscientious of others and “takes care” of them. And because Tentomon is so openly friendly, he manages to coax Koushirou out of his shell and allow him to think about more complicated things related to his own position in the world that he’d been avoiding.

As Koushirou’s character arc proceeds, we learn that he’s polite not only out of distance but also because he really is a very kind person, and moreover that he does eventually want to open up to others. And the payoff for this eventually comes in 02...

...when he ends up becoming one of the most visible members of the older Adventure cast to appear in the series, checking in on the younger kids and developing into someone capable of organizing and managing people. Hmm, seems familiar.

Mimi and Palmon

This one’s an easy one. Mimi is possibly the most straightforward person in the original Adventure cast -- well, that’s the point of her Crest after all -- and so Palmon is almost exactly like her, being a cheerful type who loves being cute. Any contrast between them is only really apparent in the very early episodes of the series, and that’s not even a contrast in theory as much as it’s just something that might intrigue audiences at first when Mimi spent a lot of those episodes complaining, but that’s also mostly because she was heavily under stress, and otherwise Mimi has always been kind and cheerful and indulgent in being cute.

Perhaps the only real difference is that Palmon, being a plant, is more willing to get involved with dirt and other things that Mimi ostensibly would rather not, but as the series progresses, Mimi manages to gain a higher sense of tolerance and get past her initial sense of materialism (which is something she’d had the capacity for the whole time).

Jou and Gomamon

Of the Adventure pairs, this one is probably the one that seems like the biggest contrast on its face, with the overly high-strung and constantly stressed Jou, and the more playful and relaxed Gomamon.

In the end, Jou is someone who’s defined by his desire to support others, and even admits at the end of the series that he’s better suited for a support role than for fighting, and that there’s nothing wrong with that as long as he continues to channel his desire to help people in a way he’s most comfortable with. So, in the end, he’s not actually an inherently aggressive type. And, meanwhile, Gomamon is the kind who’s constantly looking out for Jou, to the point of knowing (such as in Adventure episode 7) when he’s about to do something phenomenally stupid and minding him so that nothing bad happens to him, and so, this is probably why they’re ultimately able to settle down and end the series eye-to-eye (or perhaps hand-to-hand).

And, again, recall that Digimon partners generally reflect a part that’s vital to their own human partner’s growth; considering that Jou is most certainly one of the more extreme personalities in this cast, you get the feeling that he probably needs someone this chill to keep his massive stress tendencies in check.

Takeru and Patamon

Takeru and Patamon are an interesting case largely due to the two of them being so present for a whole two series. In Adventure, both of them seem to be largely like-minded, being playful, innocent, and childish -- although Patamon is more open about expressing the childishness that Takeru keeps trying to cover up. Patamon being roughly on the same playing field (no pun intended) as Takeru means that Takeru has someone he’s willing to be open with and let himself loose a little (such as in Adventure episode 12), because for the first half of the series, he’s almost entirely in the presence of elders and stifling himself for the sake of being “well-behaved”, and it starts his long journey of being able to understand his position and his actual sense of emotions over the course of Adventure and 02.

Patamon also has a striking personality change upon evolving, becoming the regal and dignified Angemon, and, interestingly, his appearances have a very “knight templar” vibe where he takes a no-compromise stance against dark forces and states that he’ll condemn all of them to oblivion. This is a stance that’s unnervingly similar to Takeru’s own no-compromise stance against the darkness in 02, and it’s interesting in that Takeru himself had been advocating for pacifism in Adventure episode 12, but this incident traumatized him enough to start taking a position that more resembled Angemon’s.

As we go into 02, Takeru’s contrast with Patamon initially seems like an increased mismatch, since Patamon is still ostensibly childish and playful while Takeru is ostensibly more mature. But for one, Takeru’s character arc is about the fact that he’s still pretending he’s more in control of his emotions than he actually is, and in some way you can also glean that there’s a sort of naivete present in his character that he keeps covering up with confident smiles. Patamon, for his part, does actually seem to have adopted a bit of a mentor role to the other Digimon, and we also learn that he’s capable of deliberately trolling people instead of just being generically playful -- much like Takeru himself, who’s a bit evasive and not entirely honest.

We do actually see Patamon reach HolyAngemon in 02 episode 34, but it doesn’t work out well, and while this is partially for plot mechanic reasons, it also says a lot that the “knight templar” stance that both Takeru and HolyAngemon have, with the full depth of no-compromise, isn’t going anywhere, and in the end, something more effective is only possible when Shakkoumon appears in 02 episodes 36-37 -- that is, Takeru is only able to better move on with Iori’s support.

Hikari and Tailmon

Hikari is the only of the Tokyo Chosen Children to have a Digimon who “defaults” to Adult instead of Child or lower, and it means that Tailmon herself comes with a certain amount of maturity -- on top of having been become a bit hardened due to her experiences being isolated. This is an ostensible contrast to the more pure-hearted and innocent Hikari, but note that Hikari’s own will can be pretty assertive when it comes down to it. On top of that, as much as Tailmon is a bit standoffish, Hikari is also “emotionally isolated” -- she has trouble vocalizing her negative feelings, and it’s difficult for anyone in Adventure or the first half of 02 to truly connect with her internal thoughts. Recalling that the Digimon partner reflects a side of the human partner that’s less easily exposed and allows the human partner to grow in ways they wouldn’t before, Tailmon’s sheer presence gives Hikari a route to action in ways she probably wouldn’t have beforehand.

In 02, Hikari becomes a little more mischievous and playful, and Tailmon also becomes a bit more willing to indulge (she even switches first-person pronouns in sync with Hikari, going from the more polite watashi to the more casual atashi). Both of them are now more able to enjoy themselves more openly. That said, Tailmon still has a certain degree of stuffy personal pride (she snarks at everyone quite easily for fussing over snacks in 02 episode 3), and Hikari herself remains emotionally elusive and repressive at the start of this series.

Tailmon evolves temporarily to Angewomon in 02 episode 13, which is the first time anyone (in this case, Takeru) makes some degree of headway to reaching out to her and allowing her to open up a bit more, but it’s not until 02 episode 31 when Hikari is fully reached out to via Miyako, which marks the first appearance of Silphymon.

Daisuke and V-mon

Now here’s a very like-minded pair, even more so than Taichi and Agumon -- and, after all, Daisuke is simple-minded, so painfully simple-minded that he’s practically incapable of hiding anything, and so V-mon is almost exactly like him, down to using the same ore pronoun and being feisty and mischievous (a point is also made that he plays soccer with Daisuke, something that Agumon didn’t necessarily do with Taichi), and, heck, in a rare show of Digimon-Digimon crushes, has a crush on Tailmon in the exact same way Daisuke has on Hikari. (By the time we get to Kizuna and its higher animation budget, a lot of attention is paid to having even their body language mirror each other.)

There is only one real functional difference between the two in disposition, and it’s that V-mon is very straightforward, friendly, and kind, without being prone to getting angry or spiteful at anyone, and in the end, it’s indicative of the fact that Daisuke’s tendency to lash out defensively at everyone is just a front -- at his core, he’s friendly, supportive, and kind. Daisuke’s experiences and banter with V-mon contribute to him getting the sort of validation he needed without having to worry about being on edge or lash out defensively, and because of that, he was able to form a healthier and more supportive relationship with the rest of the group.

Miyako and Hawkmon

This one seems to be a contrast right off the bat -- Miyako is bubbly, over-the-top, and rather messy and lacking in restraint, whereas Hawkmon is formal, graceful, and polite. But Hawkmon’s most prominent trait is his absolute loyalty and devotion to Miyako -- he’s very often referred to by both official staff and fans as her “knight” -- and is constantly minding her to protect her and make sure she doesn’t go over her head (most prominently, 02 episode 18). And as far as Miyako’s relationship to others goes -- she’s also devotedly loyal to everyone she loves and is constantly going out of her way to help others, and her character arc in itself is about the fact she wants to do her best to reach out to people and help emotionally support them in the best way she can, and Hawkmon managing to channel that to its utmost extent to Miyako in turn (in a very “who watches the watchman?” sense) allows her to regain her bearings and have better control over herself in the aftermath of 02 episode 18.

On top of that, as the series proceeds, it turns out that Hawkmon also shares Miyako’s penchant for dramatic theatrics and being a bit over his head -- even if he seemingly has himself more together than Miyako does, he’s not completely above it all...

Miyako is also the franchise’s first example of a female character with a masculine Digimon partner, and while Miyako herself openly identifies with and indulges in all things hyper-feminine, she also has zero issue engaging in more masculine-associated things as they suit her -- most prominently her Digital World outfit, and the fact she often displays a rather aggressive go-getter and hot-blooded/in-your-face personality that would not be out of place on a male shounen hero in a more conventional show. (Although, as much as these have generally been on the thread of “less visible aspects”, it’s not like this was that less visible of an aspect of her to begin with...)

Iori and Armadimon

Iori and Armadimon hold the honor of being the only pair in the Tokyo Chosen Children to be voiced by the same voice actress (Urawa Megumi), driving the parallel down even further. And while their surface temperaments seem different, with Iori being rather uptight and strict on himself while Armadimon is laid-back, carefree, and even somewhat assertive, they’re not that different -- Armadimon is basically the curious, impressionable, somewhat childish spirit that Iori would be if he weren’t constantly holding himself back. (There’s a lot to be said about Submarimon going out of his way to take Iori for a ride in 02 episode 16 so that Iori can finally properly enjoy himself for once.)

Iori takes a lot of very stubborn, no-compromise positions over the course of 02, but Armadimon asking just the right kinds of questions allows him to “snap out of it” and be a little more receptive to considering alternatives, or at least taking into account more emotionally-oriented issues he’s dealing with. You can say that Armadimon (especially as Upamon) softening Iori up a bit -- since Iori will never be cold or unforgiving towards his partner, no matter what -- serves as a precursor to Iori starting to question the limitations of his black-and-white view of morality, which allows him to successfully break through to Takeru and fill out the rest of his character arc.

Ken and Wormmon

Considering how much of the plot revolved around this one, this one almost goes entirely without saying! During Ken’s stint as the Kaiser, Wormmon represents the heart that Ken’s not entirely willing to leave behind -- and, also, the affection that he’s still craving from his family. The Kaiser going practically out of his way to deny Wormmon yet paradoxically keeping him around is basically his attitude towards his own “weak” and naturally kindhearted self. Notably, recall that the principle of “a Digimon will never deny their partner” applies here -- Wormmon’s “betrayal” of the Kaiser isn’t really any kind of denial, since he was doing it mainly for Ken’s own sake, and, more symbolically, it’s Ken reaching his own limit and coming to realize that this path isn’t what he really wants.

Wormmon is unusually clingy to his own partner over the course of 02, and it’s vital to Ken needing to learn to love himself and also getting important validation that he needs, especially during the critical point in time during 02 episodes 23-30 when he’s still not sure how to approach the rest of the group -- Wormmon gives him someone to talk to honestly and openly, giving him a proper springboard to sort out his complicated feelings about the others and himself. You can say also that as Ken becomes more open and straightforward over the course of the latter half of 02, he, in turn, becomes much more shameless about showing affection and opening his own heart.

Wallace, Gumimon, and Chocomon

Bonus round!

While it’s hard to fully apply Hurricane Touchdown to this theory (by official admission, it wasn’t properly cross-referenced with the original Adventure/02 series lore, and trying to correlate all of the evolutions in this movie to something metaphorical will give you a headache), Wallace’s two partners still fit very neatly into this overall theory of Digimon partners as a part of the self. Wallace is a character with very sharp duality, trying to be a flirt who asserts himself as a vagrant who’s about to “become an adult”, yet still feels an obligation to keep calling his mom and is engaging in increasingly self-destructive behavior.

Most pertinently, Gumimon and Chocomon represent the two stances Wallace is torn between: wanting to “return to the past” (Chocomon) because he’s still hung up on having lost Chocomon and is convinced that he can make everything just like it was before, and “being able to productively move on” (Gumimon). For most of the early parts of the movie, Wallace is stuck on Chocomon’s mentality of fixating on the past, and Gumimon isn’t even remotely subtle when he draws an explicit parallel between the two (saying that Chocomon didn’t like the heat, followed by offering to give Wallace shade as a hat). But once the conflict escalates and Wallace realizes just how deep in denial Chocomon is, to the point of being destructive to himself and others, Wallace comes to embrace Gumimon’s stance of practicality and moving on. In the end, the ultimate conclusion is reached, and Wallace is forced to fully accept that latter stance when Chocomon dies, but the movie’s ending (and Kizuna) provide an extra option: allowing the past to come back, but in a new form and treading new territory instead of trying to make it “the way it was before”.

#digimon #digimon adventure #digimon adventure 02 #digimon adventure last evolution kizuna #kizuna spoilers #qwertyshuman #shihameta #shiha's ask box

206 notes · View notes

gb-patch · 4 years ago

Text

Ask Answers: May 15th Part 2

And here’s the next part of the long answer set of the day!

When will OL: N&F take place? Beginnings and Always took place during summer breaks, will now and forever take place during a fall break or will the characters be going to school at the time of the events we play through?

It takes place over all of the fall season, so school will be happening in OL2. Some events do take place in school, though many times events only start after school is already out for the day, haha.

Hey!! I have kind of a weird question?? I’m sorry if it’s been answered before and I just haven’t seen it but is OL 2 taking place during the same years as OL 1? I’m just curious, thank you for such amazing games!!!

It’s a similar time frame, but not 100% exactly same.

Do you have any idea when the demo for now and forever will be available?

Hopefully this fall! But that’s not a guarantee.

Okay the crime show in Step 2: Growing up. Long blonde hair, police station, crime series? Was it The Closer? Because I’m the same age as MC and Cove and my mom was constantly watching that when I was 13. 😂

Haha, yeah! The Closer and, to a lesser degree, Medium were the kind of shows I was referencing there. My mom also used to watch those back in the day.

Hey um this might be an odd question but if the setting of OL: N&F is fall/autumn, what country or city will it take because my mind tells me it is either Poland or Canada. Also I can't wait for the game I am hyped

It’s set in the USA again. We’d like to be able to have cameos and that’s easiest to do if the OL games take place in the same country.

Is it possible for the PC of OL to have non-seriously dated other people in the in between years even if they’ve had a consistent crush on Cove?

You can causally date Baxter in Step 3 if you get his DLC and then ultimately choose Cove in Step 4. If you mean off-screen people, it doesn’t really come up, but you can certainly headcanon that. The game never says Cove is the only partner you’ve ever had.

Is there going to be a Kickstarter for Now and Forever as well? For like voiced names and stuff again? Didn’t find B&A until after it was released and I’d really love the opportunity to hear my name in the game 🥺

Yeah, we are gonna have a Kickstarter with getting a voiced name as a reward! Though, it will be more expensive than it was for OL1. I feel bad to raise the price but we realized too late the first time around that it was being super undersold for the amount of work it took, aha.

Do you know how much the remaining DLC for OL will cost? (Step 4, Derek, Baxter)

Step 4: Free

Wedding DLC: $2.99USD

Derek DLC: $4.99USD

Baxter DLC: $4.99USD

Has an artist for the new position been picked yet?! I'm super excited for the new game!

We did fill that spot. Thank you so much for taking the time to apply!

hmmm what would it take to get each of the XOXO jerk squad to feel the need to hug you?

They’d have to first like you a fair amount, otherwise the most you’d get is maybe a pat on the shoulder. If they were attached, they might hug you if you broke down crying or if you gave them super good news.

Unless it’s Shiloh, of course. If you want a hug you only have to ask!

May i ask how the Derek DLC will work? I believe that there aren’t any memories in step 4 and doesnt derek’s dlc take place during that step? So will the dlc add memories? Thank you!

Derek’s DLC will add five Moments to Step 2 (a new page will appear on that screen if you get the DLC). Then in Step 4 you’ll have to choose between playing the default epilogue or going through the Derek romance story.

Is the pc version on itch,io different from the steam version? Like an offline one or something?

Steam has achievements, but that’s about it. Both can be played offline, if you prefer.

I've been wondering this for awhile, what determines if cove winds up with a ponytail in step 3? I've done multiple runs with different MCs with varying hairstyles. Or does it have to do with a particular moment in step 2?

I’m afraid I can’t say exact choices that determine things. But generally it’s preference based options in the Step before that decide those things.

Any Floret Bond updates?

No, the artist had to leave the project and it’s been on-hold. I’m not sure if I want to try working just with what we have or replacing it all entirely. The design is a bit too specific for us to easily find someone who could mimic it. Hopefully we’ll work things out later, though.

In step 3 is Cove's plan always to stay in sunset bird?

Yeah. He is never ready at 18-years-old to make a big life change.

I love your content! If it's alright to ask, you answered in a previous ask about how Jeremy was too particular with what he likes his types to be romanceable with just any MC and it's sort of got me wondering.. What /are/ his types and/or preferences and such? Sorry if it's a lot!

Jeremy likes stubborn jerks and will not date someone who’s sweet or even generally a decent person, haha.

uh, excuse me if you said this somewhere before, but how will step 4 be actually? Will it he like an actual step and have moments and dlc and all? Or will it be more like a long epilogue of some sort?

Will the step 4, the wedding and extra routes dlcs be paid too? Im just confused, sorry if im asking too much

Step 4 is only an epilogue, so it’s just a long series of scenes one after the other rather than a collection of Moments you can choose from.

The Step 4 epilogue is free, the wedding DLC, Derek DLC, and Baxter DLC cost money.

i’m not sure how much of the wedding dlc you have planned already, or if this would be to spoilery, but what kind of wedding traditions will be included? i keep thinking about how flustered cove would get over a garter toss & was wondering if we’d see a scene like that haha. obviously no worries if it’s not included, i’ll enjoy literally anything cove related

I don’t know for sure yet, haha. Right now we’re focused on the parts before the big day. We’ll see how many scene alterations we can include for the wedding itself later on.

Hello! Firstly, thank you for creating such an amazing game like OL, and I couldn’t be more excited for OL2! Out of curiosity, are you looking for any writers to come on for OL2 or are you all pretty much set in that department? Just thought I’d shoot my shot haha but I’m still excited regardless ^^!

We will be hiring writers for OL2 later this year! Thank you for the interest.

Will we be blessed with a spin-off Yandere Cove, like XOXO Blood Droplets?

Sadly, no. It’s a shame but there’s not enough time to keep making OL1 bonus/spin-off content.

How is Q pronounced?

I’m afraid Q’s full name hasn’t been publicly announced yet so I can’t answer here (Q and T are the first letters of the names for the new LIs in Our Life: Now & Forever).

Question; is the steam version getting a Mac update? I purchased the dlc there thinking it had Mac support without realizing it and just wondered if I’d need to refund it to purchase on itch.io 😭

I’m really sorry, you will need to get a refund from Steam. We do hope to have it there for Steam eventually, but have no idea of when it’ll happen. Apple requires special notarization to be an officially accepted app for their devices. We don’t have that. Steam requires having that, Itch will let you release it as an non-notarized third party app. That’s why Itch is the only place that has the Mac version right now.

would you mind posting outfit sheets for Cove in every step? it would make things a lot easier for us artists. it would save a lot of time spent looking for references

I think we did do the earlier steps when they were finished way back in 2019 (this game took a long time to make, aha), but we can probably repost them sometime!

In our life n&f, will we be able to get into qprs/will there be more options in regards to having deep platonic relationships with the love interests? Because as an aroace individual, it would be great if there could also be emphasis on platonic love so that it's more aspec inclusive.

It’s a little hard to say at this point. There may not be things like a wedding DLC for OL2 and so the relationship for platonic and romantic feelings might not go as far as it did in the first game. We’ll kind of have to see how much we can do based on timeframe/budget constraints that will only be set near the end of the year. But we will be keeping things like that in mind at least.

hi! i really really like your game and im absolutely in love with it! i cant wait to try your other games like xoxo droplet and future OL NF :))

during the step 3 erands moment i got curious, which fudge flavor is his favorite? it seems like he likes all of them, but which 4 do you think he would like best?

also i noticed that in some playthroughs cove would let me give him a piggy back ride, and in some he wouldn't, how come?

how does your choices affect cove's interests or looks? i replayed the game without changing any choices but i got cove to look different, is it just random?

thank you!

Cove’s favorite flavors are ones with nuts and that are fruity! But he appreciates them all. Whether or not you can give him a piggyback ride depends on if your MC is fit/large enough to hold a muscular 6-foot-tall beach boy, haha.

Cove’s appearance does depend on choices and it’s generally tied to choices that are preference based rather than emotion/action based, such as which key chain you pick in Step 1.

Is it possible for cove to reject MC's proposal at the end of step 3?

Nope. He’ll always accept.

hi! i was wondering how heavily the side characters will be featured in the our life wedding dlc? obviously it'll be cove & mc focused, but i was thinking it'd be sweet if we could take lizzie dress / suit shopping or dance with cliff at the wedding or something.

The side characters are there about as often as they are in normal events. So, it’s clearly focused on Cove but he’s not the only person you have any meaningful moments with.

When will responses be sent out to applicants?

I’m afraid we don’t send responses out to all applications, only ones we’re interested in offering the position to. Not everyone likes rejection emails and the amount of applications is too high to contact them all to say we’re not hiring them. We post updates on the job page when a position has news. Right now we’ve filled every role that was open.

Is there also going to be the option to keep your relationships with the love interests platonic in Our Life: Now and Forever? That's something I really appreciate in Our Life: Beginnings and Always

Yeah! OL will never force you to end up in a romantic relationship with someone.

I was wondering, in the Step 3 Happiness moment, what are the different fishes Cove can compare MC to? I got "you'd be a paradise fish, because being with you is paradise," but my friend got "you'd be an angelfish." Are there more variations?

He says paradise fish if you’re a couple, angelfish if he’s just crushing, and then a royal dottyback/queenfish/emperor tetra (based on your gender) if he likes the MC platonicly.

Hello! So, in one of the Step 3 DLCs, Cove's arm was gone. I think it was to show him putting his arm behind his back. But if that wasn't the case, did it get yeeted?

Thanks for letting us know. That was an error we tried to fix a little while back. When did you make the save file you were playing? If it was older that might be why it happened. Or maybe the error wasn’t fully fixed after all.

Asking for your opinion, but do you think Cove would at all be into ABBA? Because all I could imagine during the car trip in step 3 was him and the MC belting to Mamma Mia.

Haha, yeah, there’d definitely be some ABBA songs he was into.

So throughout the game, Cove can develop different interests depending on the player’s choices; does this mean that he can have different careers in Step 4? Or his is line of work in adulthood never mentioned at all?

He can have different career paths in Step 4!

Hi!! I'm so so sorry if this has been asked before but I just acquired knowledge about the so famous nsfw dlc for OL and nearly chocked on my bubblegum 💀💀💀 So, my real inquiry is if that specific moment will have any kind of impact at some point of the fourth step OR if it will just be treated as a side-story-ish “what if” scenario.Also, is there any chance there'll be something similar for Step 4? Haha jk,,, unless 😳Questions apart let me thank you profoundly for making the best visual novel I've ever played 😭 Really really looking forward the epilogue and OL2 💕 Have a nice day

It’s just a bonus side story that’s fully separate from the main game.

It would be nice to have one for Step 4 too, but I sadly don’t see us having time to actually do it. I don’t know, if people are still asking for more OL1 content several months from now it might be doable and worth doing.

I'd just like to ask, when is Baxter's birthday :0 -- I'm really curious esp with their zodiac signs so ;w;

I don’t know, haha. Maybe I’ll come up with one someday.

Please help!! I bought the Step 3 DLC but I still have no idea how to get to where you can propose to Cove - any tips?

How do I get the option to propose to Cove at the end of the game?

You can click HERE for a discussion on that.

I love that Miranda and Terry are getting together! I'm curious if you have canon sexualities for them? Also just wanted to say how much I love OL and how much joy it brings me everytime I play it <3

Terry likes ladies and Miranda likes dudes!

ngl Step 4 Terry's design reads like y'all see trans guys as their assigned gender more than you see them as men to me (a trans guy)... like maybe if he isn't heavily dysphoric, I could see it, but everything you've said about him doesn't line up with that. Even then, immediate warning bells go off in my head looking at him. I wouldn't have touched the game if I saw him ahead of time.

I’m sorry you aren’t comfortable with the way the design looks. The situation with Terry is that he’s now open about who he is, but the body he was born with is still physically the same. He only came out recently as an adult and hasn’t gone through any treatments/procedures yet (his chest is flatter because he wears a binder). However, even though his body hasn’t transitioned at the point Step 4 happens, no one treats him as anything other than the guy he is. Having a trans character who’s identity is supported/respected from the start is what we’re going for in this case. But what we’re doing with Terry isn’t the only trans content we’ve ever had/ever will have in the future.

how would baxter react to bae pyoun and vice versa? and can you please detailly explain both love interests personalities from our life 2: now and forever? i was just curious, sorry for dumb question!!

I imagine it’d be pretty opposite experiences, haha. Bae would initially think Baxter is pushy and thoughtless, but would quickly realize, oh, he’s instead a soft, considerate boy. Very cute. Baxter would first be struck with the impression that Bae is charming and gentlemanly, but then would realize that, no, he’s a sarcastic asshole. And I’m afraid we can’t reveal the personalities for the next game yet.

Sorry if you've already answered this, but I have a question about the patreon exclusive moment you're working on. I was wondering if it's mainly going to be CGs or if it's mostly character sprites + backgrounds with some CGs.

Either way, thank you for doing the Lord's work and not only making Cove, but making this bonus moment as well 😌😌😌

It’s mostly sprites/backgrounds with two CGs!

—– —– —– —–

Thank you again for the interesting questions everyone :D

We released a new FAQ! It answers common questions and we’ll keep adding more to it. Please check there before sending an ask. FAQ Also, if you prefer to just see the main posts without all the asks/reblogs, feel free to follow our side account instead: GB Patch Updates Blog

#our life #Our Life Beginnings & Always #Our Life: Now & Forever #xoxo droplets #ask #gb patch #gb patch games

163 notes · View notes

jsio · 4 years ago

Text

EVERYTHING YOU NEED TO KNOW ABOUT

MILES PROWER, ANTI-TAILS

Moebius' true king.

Art by Arealscrog

Archie's wasted character

Who is Miles?

Miles Prower is the Anti equivalent of Tails, from Mobius Prime. He is afew years older, being 11 instead of 8 and much more mature. He still appears to possess Tails' youthful tenacity and desire for independence, but he has a violent rebellious attitude and shows no interest in holding himself to childish things, even though he's only 11 years old himself, hating the nickname "Tails" being an example.

Miles holds his younger counterpart in utter contempt for traits Miles sees as weaknesses, especially how Tails went down the path of Science and technology instead of his magical Chaos force heritage, implying that Miles went down a more mystical path instead of Science, but from what we see in the comic Miles is more in the political field, by that I mean he manipulates all the political aspects of Moebius.

His actions throughout the comic run make him out to be smart, picky, but also cold, calculating and always 5 steps ahead of his own team and Adversaries, this leading to Alicia making him the Suppression Squads leader behind the scenes, while she is the figurehead "ruler."

---------------------------------------------

That's Anti-Tails, Who throughout this I'll be reffering to as "Miles." Now you may be thinking, "Why make a post on an extremely obscure and hardly used Archie character? Why not someone Like Tails, Shadow or a more popular Archie character?"

Well, it's because I believe that Miles had the potential to be one of Archie's most intresting original characters, I believe he could've easily held his own "Suppression Squad" comic run, but Archie Unfortunately really underused him and wasted his potential, but hey...

That's where us fans come in!

---------------------------------------------

This post is All about Miles Canonical self, every canon fact I can find about him and his full story in his short run during Pre-Reboot Archie Sonic, and my own personal headcanons in the later post.

But...before I get into any the headcanons, I need to teach those who don't know him about him, I need to talk about his Canonical self..so, let's get into it. Headcanons will be in the follow up post.

Canonical Apprearnces.

(Reworded from the wiki)

First appearance

The first appearance of Anti-Tails was back when the character was just "Evil Tails" and it was of him joining the Anti Freedom fighters in an attempt to take over Mobius Prime, prior to the downfall of Eggman.

He and his evil allies pretended to be the good Mobius Prime versions, and struck knothole with acts of mayhem, vandalism and overall mischief, a common thing on moebius. The real Freedom Fighters soon returned to set things straight, but their initial attempts to defeat the Anti-Freedom Fighters failed as their Anti-Mobius selves knew their moves as well as they did. Sally Acorn came upon the solution: switching combat partners. When he faced Rotor, Evil Tails proved unable to overcome the larger and stronger Mobian. Defeated along with the other Anti-Freedom Fighters, he was sent back to Anti-Mobius, where they continued to cause mayhem despite the efforts of the kindly Dr. Ivo Kintobor (Anti-Robotnik) to stop them.

This was the last we saw Evil Tails for awhile, however we did see a cameo of him along with every other tails when they all came together and formed Titan Tails.

The Suppression Squad

Art by Pota on Pixiv

Some time passed before his next appearance, and in that time "Anti-Mobius" went through changes in its name, now "Moebius." And all the characters changed alongside it.

Miles had assisted Boomer in stealing Dr Kintober's goal posts in order to allow the Suppression Squad to have access to inter-dimensional travel. Scourge obviously took this opportunity and went straight to Mobius Prime, along with a few other members of the SS, Miles being one of them, and they attempted an assult on the Freedom HQ, where we see Miles' and Tails face off, with Miles declaring to not be referrd to as Tails or Anti-Tails, but instead just "Miles".

He also indicated his disgust at Tails for having chosen a path of Science and study, despite having a strong connection to "Chaos force", aka magic. This has led to people believing Miles himself is a magic user.

When Metal Sonic attacked Scourge, believing him to be the real Sonic, Miles stayed back and observed instead of helping his king. Now, you may think that's betrayal, but in reality Miles didn't help because he did not wish to undermine Scourges strength, so instead he observed. Soon after Sonic came onto the scene he showed his willingness to help anyone, even his enimies, and this gave Miles an idea:

Let's team up with the freedom fighters to betray Scourge, that's the new plan.

Miles later met up with Sally, Bunnie, Antonie and Tails to offer an alliance, but didn't let Tails speak and showed his contempt to the original version, telling him, "Please don't talk, little boy, We're trying to have an intelligent conversation." Sally accepted the offer, knowing she needed all the help she could get for taking down Scourge.

Upon returning to Scourge, pretending to be running from the freedom fighters, Scourge asked for a summary on his mission, that being "bomb New Metropolis" but Miles ignored him however, instead reporting to Alicia (Anti-Sally) that his mission was a success. Immediately thereafter, Alicia told the Suppression Squad to, "Show our King just what we think of him", with Boomer and Patch clearly readying for battle

However, Miles was doubling up his betrayal, blasting both Sonic and Scourge back into Moebius for them to Duke it out there, with Boomer sealing the portal behind them. An ethical debate followed this, between Sally, Alicia and Miles, the trio being ordered to get the goal posts ready to be able to return the freedom fighters to Mobius after both groups agreed to make sure Scourge was defeated on Moebius by Sonic

Miles was as shocked as the rest of the group to find Scourge had defeated all of his opponents as Super Scourge. When the rest of the Knothole Freedom Fighters and Suppression Squad were quickly defeated, Scourge turned his sights on Miles, identifying him as the mastermind behind the betrayal.

Miles, cowering in fear, denied his role in betraying Scourge, who was threatening to beat him for his betrayal. However, Miles was saved by Silver the Hedgehog and unlike the rest of his allies, wasn't even hurt. Following Scourge's defeat and Miles' attempt to recruit Buns Rabbot into the Suppression Squad, Miles spoke to Alicia about who would be their new leader. Alicia explained that while she may be the figurehead ruler, they both knew Miles held the real authority at this point, to which Miles grinned.

That was the last we see of Miles in the Archie comics, he unfortunately isn't in the post reboot because he's now owned by Ken Penders, so we'll never see him again. Below is all of his official designs, and after that is my final thoughts on the character.

---------------------------------------------

My overview of Miles as a character.

I'm no Character analysist so I'll make this short and sweet, my review of Miles is that he's a Character with alot of potential, but he went wasted, not on purpose, but thanks to the lawsuit.

I believe that if that lawsuit never happened, and that arc was closed up nicely Anti-Tails would of became a far more realistic and grounded Character, and probably pretty popular too. Miles to me is a kid who was manipulated into a life of crime and now believes that's what is right, and I think that could of been an arc for him, mellowing out and becoming a true king for the people of Moebius. I also like how when Scourge goes Super and goes to Miles to confront him, he dosent stand up to him, he dosent become strong, but instead he cowers in fear, hes terrified and tries to lie, to me, that makes him feel more grounded, and I like that.

Personally I wish Miles was more popular, I wish he got more spotlight than he did and I wish his story got concluded, but with what we got, I think he's pretty good, and pretty interesting too! I've seen alot of ideas float around for this dude, all of them making sense in they're on way, and to be honest? His lack of story kinda helps make him more accessible.

Tl:Dr: I like Miles alot, and I hope this post helps you lot learn more about him and overall, gets more people down to write with him, draw with him and explore him!

---------------------------------------------

Would I change him in any way?

Yeah, there's one key part of Miles (from what we got) that I think was wasted. Now, what is that? What would I change about a Character I've mostly praised? Well...

I wish he was magical. In the Archie comics Tails is actually strongly connected to the "Chaos Force", not as connected as Shadow, but still VERY connected, and guess what? Miles and Tails ARE biologically the same, same DNA, and in that bit of the comic, Miles calls Tails out on something he should have no idea about if he himself isn't connected to the same thing (or Moebius equivalent). To me at least this kind of implies Miles is magical too.

Basically, I'd give Miles' moveset a touch of magical abilities, connecting him to Moebius' "Anarchy force". I think it would help separate him abit more from Tails, while also connecting them, because whenever you have science and magic together...they clash.

But yea that's all I'd change in what we got, just hints of magic, some magic attacks here and there. I think it'd be pretty neat, and it'd have the science Vs magic aspect with him and Tails relationship.

---------------------------------------------

Lets finally wrap this up! At least, for now.

Thank you so much for reading all this If you did, it, this took me alot of hours, and I, I think it's over 2000 words now you madman. Why not spend your time doing something more worthwhile? Why not...have fun? meet someone? Go on a date? Live your life? Why read a post on an obscure Character, mainac.

But in all seriousness thank you for reading my post, I really like this character (clearly) and I want to teach people about him, and I hope this post has done that! Post 2. There's going to be a sequel post going over all of my personal headcanons, and possibly a 3rd going over community ones. Keep ya eyes out~

But yea, big read, now you lot know about an obscure Character, and this was fun to write! But now I'm gonna end this post with a fun fact:

Miles and the Suppression Squad were going to have one more arc, it was teased at the end of issue 196, but unfortunately it never got written. That would of been really neat but unfortunately it never got to happen.

---------------------------------------------

BON'VOYAGE, HEDGEHOGS!

173 notes · View notes

deliciousangelfestival · 4 years ago

Text

Chapter 2

Character : Mob!Steve Rogers x Female Reader (?)

Summary : Steve was hoping to meet the right one until he met her. But is he ready to be with her? He thought his life already dark because of his job. He wouldn’t able to find a woman that strong enough to face the hardship to stand beside him. Turn out his life is nothing compared to her.

A/n :This #### will be used to explain the character’s past.

Warning : Grammar mistakes, since English is not my first language.

Somewhere in Brooklyn.

There’s a female who is taking a nap on the couch. Today’s activity kind of exhausts her because of last night and the unexpected event at the restaurant. She wants to take a nap first before having dinner. But after 10 minutes, her beautiful sleep got distracted.

“(Y/N) !!! (Y/N) !!!”

(Y/N) awakened up from her nap because of the smashing door. She rubbed her eyes with her backhand. When her eyes finally focused, she could see someone standing in front of her.

She lazily asked him, “What’s up, Bambi?��

“Don’t call me with that nickname.”

(Y/N) rolled her eyes. “Yeah, because you have grown up. But Peter Parker, in my eyes, I will always remember the boy who cried asking me for ice cream.” She put on her smirk smile, her hands moving fast to mess up his hair.

He slapped her hand that made her giggle.

“It’s not like I hate you coming to my house? But what’s wrong with that pouted face Peter?”

Peter heavily sighed; this time, he threw his body to the couch. He crossed his arms and pouted.

“Aww, ~~ What's it, partner? If you keep sighing, you will get older.”

“Urgh,” Peter rests his head on her shoulder. “When can I have a job that doesn't relate to guns?”

"You can."

Peter lifts his head to get a look at her. "How?"

"Die first."

"Thanks (Y/N)."

(Y/N) shrugged her shoulder, "You can't get rid of it. It's already in your DNA."

She pinches Peter's cheeks. "Why do you sound sarcastic today?" Usually, every time he came into her house, she could see flowers behind him. Now the background changes into grumpy Squidward.

Peter’s face still on the pillow, he grumbles, "You shouldn’t come to my work today."

"Why not? I'm worried about you."

"Pietro has been asking me about you."

"He knew I'm related to you?" (Y/N) seems surprised.

Peter nodded. "He noticed on my first day."

"He's good."

"But today…. It's not only him." Peter grumbled.

(Y/N) still impressed about Pietro’s instinct, she didn’t hear Peter grumbled since he speaks to soft "What?"

He shook his head "Nothing."

"Are you going to have a sleepover?"

Peter has been living in his place since he graduates from university. Before he said anything (Y/N), grab his hand. "Please… I'm tired eating delivery also instant mac&cheeseeeee~."

Peter shook his head; who would even think a former assassin like (Y/N) could act like a child because of food.

####

To explain the relationship between Peter and (Y/N); both are not related by blood. (Y/N) knew him because of his mother, and she met him when she was an assassin.

And a deadly one.

Why did she leave?

Because of Peter.

Something happened that made (Y/N) choose to burn everything from her past to the ground literally. She made quite a name in the underworld.

####

"Fine." He answered that made (Y/N) raised her arms to cheer.

"But only for today though, because my new housemate is coming." said Peter while he went to the fridge to get some ingredients.

(Y/N) looking at his back, the boy in front of him acts more mature than her. Time moved so fast the first time she met him; he asked her for a piggyback, cried when she didn't give him ice cream and blamed her when he's the one who broke his mother's favorite plate.

And now, he is almost taller than her, independent, better at cooking and moving out from their luxury home.

(Y/N) puts her chin on her palm. "I don't understand why you need to move out." She doesn't want to tell the truth that she misses him.

Peter already started cutting the vegetables. He had a reason why he moved out; somehow (Y/N) past will come to hunt and target her.

####

Peter knew everything about her and saw it. He could live with it, but he couldn't sleep every time he heard a gun, a sound of grunting because of the stabbing, and in the morning, he saw their house destroyed with bullet holes and destroyed furniture.

They have to move a couple of times.

He never saw any blood and dead bodies, (Y/N) top priorities were to get rid of the blood and bodies before he sees it.

Peter knew that she understood his reason why; he could see her teary eyes when he told her he wanted to move out. She felt guilty for all the things he had been going through because of her.

But it takes two to tango. Peter was the one who asked to stay beside her before she dropped him with his aunt May Parker on that day.

What (Y/N) said was right; it’s already in his DNA. Danger always follows him because of his mother.

His mother used to be an assassin like (Y/N) until she met his father. She left everything to build a family together.

But their happy life was cut short; one day, he lost his parents, and that's the first time he saw the dark side of (Y/N) and the first time he knew what revenge is.

####

"I met someone." Peter answer.

"Owww~ My brother is a man now~."

Peter looked at her through his shoulder.

She nodded her head multiple times. "I understand you need privacy."

"But use protection okay?"

"Ugh,(Y/N)!! Seriously…?"

(Y/N) laughed while putting her hands on it defensively. "Sorry, I will stop it."

After 30 minutes, both of them finally eat dinner together.

"Someone else beside Pietro also asked about you."

"Hmm."

"You knew who it was don't you?"

(Y/N) winked at him.

She knew it must be Steve because it is obvious he tries to flirt with her, and she gave him her phone number. She made a program if someone put specific keywords along with her fake name, she would get notified. (Y/N) only tell her real name to someone that she could fully trust.

She must admit he almost got her, with the help from Starks, the other genius, but she's better at hiding.-

"You planned to make him more curious about you right?"

"You're getting smarter Peter." (Y/N) want to meet Steve once again. Today the moment she saw his face, it looked like a cheesy chick flick movie.

She could replay the moment he approached her. And when he tried to be cool to say 'Hi' but failed, that was cute.

(Y/N) wasn’t planning to stay long at the restaurant today but she has to because she’s worried about Peter. Last night both of them went out to get dinner when they had back her old enemy try to target her. It failed since (Y/N) is much more powerful, but Peter’s shoulder got hit.

He said he was fine, but her heart clenched when she saw the blue bruise on his shoulder. Peter is a stubborn boy; he doesn’t want to make her worried. But she is; that’s why she chooses to stay to make sure he’s alright.

She didn’t regret staying since she met a gorgeous man today. Perhaps cupid plays its part.

Peter added, "He's a good boss, don't shock him."

"You make me look like a cold hearted bitch." (Y/N) scoffed.

Peter sighed. "The time when you were with Billy Russo?"

"It was brief, but we are cool."

"It's hard to believe when he sent his Anvil team to get you."

"Because of me, he learned that his team was weak. He even sent a letter thanking you and said let's meet again."

Peter furrowed his eyebrows and shook his head; he wishes he wishes the best for Billy.

"The time with August Walker?"

"To be fair, I betrayed him, but hey, we got a free helicopter."

"Zemo?"

"Both of us agreed to break up, and he ended up married with his true love. Happy ending."

Peter sighed "(Y/N); the reason why I'm saying this is because everytime you broke up with your boyfriend, they would come after you." The aftermath is always messy.

"I love this job, and my new friend. Please don't mess this up." He makes it clear since he liked his new workplace; the first time he came for the interview, he knew something different.

####

How Peter ended up working in Steve Rogers’s business?

Peter’s previous boss closed the restaurant to enjoy retirement with his wife. He recommended Peter to try at Rogers.

Rogers restaurant has been known as a prestigious dining place. He thought his chance was small, but it turned out he passed with flying color. Wanda was impressed by the way he could keep up with her work ethic.

After working a few days, he realized Rogers is not just a regular restaurant.

Pietro interrogated him to get some info about (Y/N), and one more obvious reason he saw a gun under Vision blazer, why would a manager own a gun? Why?

Then (Y/N) told him the truth that his boss is a famous mobster in Brooklyn.

Peter sighed when he heard that; he thought he could start living like an average person.

####

"You knew me Peter." She put down the knife and fork, then sipped a glass of red wine.

"I'll listen to you. Besides, I quite like him."

Peter widened his eyes "You mean genuine like him right? Without any agenda?"

(Y/N) nodded, "Maybe he could be your future brother in law."

Peter immediately shivered to imagine Steve became his family. "Let's not think to far (Y/N)."

Unlike Peter, someone else already thinks of it.

Somewhere far away, in a secret mansion where Steve and others gathered.

Three of them sit around the table; Bucky and Sam were nervous while Steve is playing with the dagger.

Natasha is furious. "I knew someday Rumlow will make a fuss at our area and make a big mess. But what I don't understand is why I got a call from the fixer and then the interior design telling me they want an extra payment because we asked them to finish in a month?"

She already anticipated the surprise attack from Brock since he replaces Pierce. It’s nothing new for them.

She noticed that Steve doesn’t listen to her complaints "Did Brock hit Steve's head? It looks like he’s not listening to me.”

Sam bumped Bucky’s elbow to talk to his wife.

Bucky cleared his throat because his seat is near to her. He leaned closer to her ear and whispered, "Honey, Uhm… so today, something else happened."

Natasha listened what her husband whispered to her, what she hear made her gasped "Pietro!! Bring out the vodka !!" She called out their favorite bartender.

"Wake him up," Nat told her husband, her head pointed at Steve.

Bucky threw a french fries from his plate at Steve.

It hit Steve’s cheeks, successfully got his attention. He realizes Natasha sits in front of him, and Pietro serves them vodka.

Sam shook his head; he silently murmured his boss also, his best friend is in lovesick right now.

"Ooh, something to celebrate?"

"Little white wolf told me you got lovestruck today?"

Bucky’s hand covers his red cheeks when his wife mentions his nickname while Sam pretends not to hear it.

"Yes." Steve admitted.

"Congrats.” Natasha smirked while asking him, “So... she's the reason why you want our restaurant to reopen next month?"

"Correct."

"Ow, interesting."

“What makes her unusual was, she’s the only guest that didn’t run when the fight happens.” Bucky said.

“She’s the one who gave him that dagger.” Sam added.

“And, we couldn’t find anything about her even with the help from Starks.”

Bucky and Sam told her everything; they told her with excitement like they found a discovery.

Natasha was immensely impressed when she heard that “Can’t wait to meet her.”

They wish Steve could find someone that can accept who he is. In the last relation he had, they tried to change him by asking him to leave the mobster. It ended up badly, making Steve became bitter about everything.

If this woman not afraid to see what happened today, perhaps she could accept who Steve is.

"Me too." Said Steve, his lips could reach his eyes. His eyes are still looking at the dagger, thinking that he has to impress her the next time they meet.

A/N: Dum Dum dum~~~~

The female reader turned out to be a retired assassin. At first, I want to make the reader be Peter’s godmother, but I don’t want her to be that old, so I change it to stepsister.

Thank you for all the likes, my new follower and for repost. I really appreciate it.

Please tell me if you want to be tagged for the next chapter.

>>>Chapter 3

Tag:

@cloudystevie,

@marce170018

@stepheewdgirlie

@juliealma1

@valhalla-kristin

#mob!steve rogers x reader #mob!steve #peter parker #cs4kwritingchallenge #Marvel AU #steve rogers imagine #steve rogers x y/n

94 notes · View notes

teamfreewill2pointo · 4 years ago

Text

Transcript of End of the Road Special

Transcript of End of the Road Special.

Please let me know if I made any errors in transcription. Twitter version Family Don’t End with Blood Transcription Winchester Mythology Transcription

Dabb: Ultimately, we came up with something that we're all very proud of Singer: You never know what the audience is going to like so we really tried to say "what would make us happy? Would we be satisfied with where we've taken them?"

The Carry On song was a guideline.

Singer: The myth of what these brothers were throughout 15 years... We didn't shy away from fatalism, but we wanted to be able to have it be kinda uplifting as well.

Dabb: If you're going to do something that feels like a complete arc, you have to kinda go back to the beginning of it (clips of them hunting vamps from s1 & 15.20) When it comes to Sam & Dean- it's all about getting back to, in some ways, these two guys on the road in this car.

Dabb: They've been doing this job for 15 years now. They've fought everyone from demons to vampires to God himself, but at the end of the day, they're still working guys, out there on the road & taking cases. We've tried to never lose sight of that.

Dabb: There are times when we've been wrapped up in our own mythology a little bit. We've always tried to get back to the basics, which are: these two guys, saving people, hunting things.

Eugenie: I think we sort of knew generally what the ending would involve.

Eugenie: We might not have known the mechanics, but we sort of knew there would be a victorious, glorious sacrificial ending bc I think sacrifice is a big theme in the series.

For every great thing you do, a cost must be paid.

Singer: Andrew & I talked about it. We were in agreement pretty quickly... talked to the rest of the writing staff & let them know what we wanted to do and we were open to suggestions. And then we pretty much pitched it to Jared and Jensen.

Jensen talks about flying to LA. Jensen: So before we ever even started 15, we knew how the last portion of the story was going to go. We didn't know how we were going to get there, but we kinda knew the final- the finish line- we knew what... what that was going to look like.

Jared: I don't think there's ever been a season of SPN in 15 years where the way the writers thought the show would play out for that season- ended up being the way it played out And so we were aware of that. They told us here's what we're thinking, here's what happens to Castiel

Jared: In the finale, Dean dies & Sam lives on. And then we think they're going to meet up in heaven.

I remember Jensen... just because I know him so well- he seemed to bristle a little bit.

Jensen: It was hard to hear then & it was hard to read now. Not because I didn't like it, not because I wished it had gone differently... I'm not adverse to it. I think it's a great ending. I'm proud to film it.

Singer: And we just aimed for that, you know, throughout the season. We knew where we were going.

Jensen: Reading it & knowing that... there's just a weight that is so much larger reading these scripts than I've ever experienced before.

There's an emotional weight that these scripts are going to carry & these episodes are going to have that I don't think we've ever seen before.

Brad: [J2] were so young when all of this started. They brought to it such conviction & such commitment to the effort.

That's one of the things that kept the show going for so many years... a show that was designed for very young guys, footloose & fancy free, & on the road…

Brad: To see these guys grow up b4 your eyes into- men, not boys any longer- was amazing.

BABY Jared: Though the story does involve Sam & Dean chasing supernatural things, it really is a story about two brothers that love each other & ultimately will do anything for each other.

Jensen: There's really one person that gets it on the level that I get it, and that's Jared. Jared: I've never spent as much time with another human being as I have with Jensen Ackles. He will be my friend and brother forever. And I know that.

BABY Jensen: There's a lot of dynamics between the two brothers, there's a lot of history between them, there's a lot of banter between them... it's good stuff S15 Jensen: We had a partner in crime & we leaned on each other for, you know, for times when it was tough.

Jensen: But we also won together. We got to share the experience of success & the experience of getting picked up for another season. Watching these two characters go through what they're going through, when we're working 14 hours & it's 2-3 o’clock on a Sat morning and we're just now finishing filming out in the rain and mud and we gotta race to the airport to get on a plane because we've got a photoshoot in LA & we've gotta do on camera interviews and we gotta promote the show that we love so much that we were just in the mud & the rain filming hours before we're exhausted and it's like there's only one person that gets that right now. That gets how I feel and that's this guy standing next to me. That's pretty cool. That's pretty cool to have somebody like that.

Brad: We knew it was going to be impossible to tie up every aspect of all of the cans of worms that we opened up.

We did want to bring a proper ending to the guys, the guy's relationship.

Brad: Then of course we had this huge corner we painted ourselves into with the most powerful thing in the universe being the big bad of the season. We try and find a proper send off for Jack & for Cas. What to do w/ the boys & is that a together farewell or an individual?

It was just... lots of moving parts.

Dabb: I give a lot of credit to Bobo who really was the one who started banging the drum early & often to ending the mythology in 19 and end the characters in 20.

Brad: You're battling God & battling God & you have this epic situation going on through the first 3/4 of the show & then what? You send off Dean in act 4? That just felt wrong. Eugenie: We had this obligation, it was really mandatory, that we tie up the mythic narrative and leave the final episode for the emotional resolution. I [was] more on the side of not wanting to best God. To have God change to be more like his creations. So there were philosophical arguments, but we always knew God's resolution was going to be a big ticket item.

Jensen: We'd started day 1 of the 2nd to last episode, 19. We were 1 day down on that episode & we were just about to start our 2nd day & we got the call that morning that we were not going to be coming in that day.

Jensen: So we figured ok, we'll figure out protocol, figure out what we need to do, & we'll just regroup, come back on Monday. As that day progressed, it was like- this looks like more of an apocalypse that is ascending upon us than just a bad cold.

They pulled the plug & they said everybody go home.

Singer: Fortunately, we got assurance from both the studio & the network that one way or another we were gonna finish the series. That was comforting to us, but we didn't know when we were going to go back.

Eugenie: We didn't know what we were going back to... if this was the last time we would ever see the set. There was no plan. It was just get out of dodge. Dabb: When it first happened, we thought it would be a couple of weeks, maybe a month.

I had conversations w/WB where they expected everyone to be back shooting in June & then things got worse & pushed & pushed.

Eugenie: Slowly as we settled into that 4 or 5 month period, discussions were going on w/the studio, & the networks, & the actors. We knew there would be restrictions on what we were allowed to shoot, but finally, the mechanics were figured out.

Singer: So they were ready to go pretty quickly, shooting in Van, where covid wasn't quite as virulent as it was [in LA].

Dabb: We were one of the first shows, one of the first WB shows to start back up. So in a way, we were kinda a guinea pig. But, in being that, I think everyone took it really seriously. We had 0 positive tests. Crew members weren't going out on the weekends.

They were like look, if I get sick, it hurts the whole show. That speaks to the family culture up there, where we've had so much of our crew for so long. Where J2 & Singer provide such great leadership.

Singer: When I was in prep for 20, I was basically in the office but couldn't go to the set. It was very odd for me not to be able to go to the set while I was in prep.

Everybody just hung in there & did what they were supposed to do.

Brad: Then we were faced with the dilemma of having to rewrite a lot of the stuff bc of the pandemic bc of the limitations that we knew were going to come on the production.

Jensen: We were gearing up for, not only the end of that season, but the end of the series. There was a lot of big, big things written-packed- into those last two scripts.

Jared: At first, it was supposed to be a lot of our old cast from prior seasons in a Roadhouse with Kansas.

Everybody had already agreed. Kansas was going to be in Van. We were going to have dad there & mom there. Just probably 20 or 30 different actors & actresses who had been a part of the SPN's canon over the last 15 & a half years.

Jensen: It was scheduled to be the last day that we were going to film, so it was almost like rolling right into a nice wrap party on camera.

Brad: The idea of flying a boatload of ppl up there to quarantine for 2 weeks so they could shoot for a day was making less & less sense.

Eugenie: How do we make this work? And while you're doing that, you also don't want to sacrifice the heart and soul of the project.

So we came up with a reduced, much more intimate ending. It has been replaced by something equally magical & rewarding.

Singer: I felt an enormous responsibility in directing the finale of a show that's been on for 15 years. Andrew, when he saw the cut, he said some really nice things to me as to, you know, the way I handled the material.

Jensen: The scenes that were filmed on our last day on the sound stages were filled with the most emotion of the final episode.

Singer: One of the really hard things was we're on another stage that wasn't the MoL stage & they started wrecking the MoL sets

They'd been working on this set and been apart of this- this family for just as long if not longer than the set's been around. I was like "it's really sad seeing this get taken down" and the other guy said, "I'm trying to hold back tears while I'm swinging this hammer."

Jared: As we start saying goodbye to characters, to locations, like it just seems like every day you would wake up and there would be some reason to cry.

Misha: This is a show ultimately about love, & empathy, & caring, & I think that Castiel embodies that.

Misha: Half the crew was crying. It was really such a sweet, supporting environment to be in for the demise of a character that, of course, for me is really important.

But it was so lovely to see that, you know, the folks that I'm- I'm working with were also there for Cas at that moment.

Alex: To get to work with these caliber people & see your friends every day is really special & is not something that often happens in this business for this long. It's been definitely a topsy turvy last couple weeks here with us and the crew.

Jared: Friday of the final full week was the big scene in the barn with the vampires where Dean suffers his fate. They did the first two days with the entire stunt team & the young boy actors.

And then they cut it for Thursday night and they're like, okay, Friday, tomorrow, we’re starting the dialogue. Dean, you're on the post. Sam, you just cut off the last vampire's head.

That was the scene- that was where Supernatural was really encapsulated.

Jensen: And then the next week we kind of had this- on the road encore get together filmmaking scenario that felt more like we made it & it was more pats on the back as opposed to tearful goodbyes.

Dabb: In a weird way you can look at the 15 seasons is like Sam & Dean's emotional evolution. You know instead of therapy, they kill vampires, but other than that it's kind of the same & brings them both to a very good place. And a place where they can, as the song says, you know, lay their weary head to rest.

This felt like the most honest & emotionally fulfilling episode for these characters to us. Jared: I got thinking about how Supernatural started & how the majority of times how I thought it should end. It started with Sam & Dean Winchester. I think it's proper that it ended with Sam & Dean Winchester together again.

Jensen: When the cameras stop rolling & Bob yelled, “Cut!” and Bob yelled, “That’s a series wrap on Supernatural.” There was- a there was a loud cheer that echoed through that canyon we were filming in. I will- I will happily say that there were hugs that happened and that needed to happen. Those are people that I spent not just years with, but so much time with- it's like brothers in arms and so to put it to bed the way that we did felt really good and then felt good to hug some people, I'll tell you that much. Singer: I thanked everyone, but I wanted to really thank people who had been with us from the beginning and as I looked around, there were so many people who had been there from the beginning.

We really were a family. I always say about this show is one of the reasons that it was a success and is that it was not only about the Winchester family, but it was about the Supernatural family.

Jared: So now that's all said and done, I guess I can look back at it and just be proud that I helped this show carry on and I'm really proud of the blood, sweat, and tears that I put in, and I feel like- I feel like that sacrifice was also maybe one of the things I learned from Sam, you know? Sam had to sacrifice a lot. So, I'm honored and flattered and grateful that I got to be a part of that journey.

Dabb: You're never going to have another show like this. You're never gonna have another experience like this. For a lot of different reasons, from how long it ran, from the family that the show became, from the amazing fans that we have. [Footage of us] From the emotional investment people can put in over 15 years of their lives.

Some started watching this when they were in high school, when they were 15, they're 30 now, they might have kids. That's their- that's like half their life. They've been with this show. You're not gonna have that again. Shows just aren’t gonna run this long, especially genre shows, but I don't know that I'm ever gonna do anything else in my career that I'm gonna be more proud of than having been involved in this show.

Jared: The things that stick out are just how important it is to keep putting one foot in front of the other. And keep on working and wake up every day and treat it like it could be your last and- and if you make it out the other side, you'll be happy and proud of what you did.

Jensen: The crew had packed up, they had cleared the bridge, and they were all starting to, you know, load their trucks and get moving. And Jared and I just kind of hung back, and we just took a moment. I looked at him and I said, “I’m proud of us, man. I'm proud of what we've done.”

We know that that's the collective we, that is everyone that is involved, that is- you know from the top down. You know, for our portion, for what we contributed to this monster of the show, he and I reflected on that, and still able to see and smell the roses.

#supernatural #spn #spnfamily #spn family #spn 15.20 #spn s15 #spn s15 spoilers #carry on #spn finale #spn spoilers #sam winchester #dean winchester #jared padalecki #jensen ackles #brotherlylove #sam&dean #brothers man #bts #actor opinions

64 notes · View notes

phykios · 4 years ago

Text

volcano kiss scene but make it medieval, for @perseannabeth 💙 note that this is little more than a fancy rewrite, but... marble king verse is too good to be done with completely

***🌊***🌊***🌊***

June, 1446

As Percy led his little band of adventurers through the tunnels of the Labyrinth, himself, his questing partner Ana Zabeta, his childhood companion Aegidius, and his half-brother, the cyclops Tison, following a marvelously clever creation of the god of fire, he allowed himself, for a brief moment, to feel a small sense of pride. They had finally located a deity who not only did not appear to have any negative designs on their characters, but had also promised them his help--after they had performed him a small favor, of course.

Hephaestus had fashioned for them a little spider made of metal, who moved about as though it had a beating heart, darting this way and that, nearly invisible, were it not for their torchlight flickering off its shiny, shiny legs. Though he would never speak it aloud, Percy felt a particular kind of pride on Annabeth’s behalf, as she followed the eight-legged creature with neither complaint nor fear. He knew full well just how totally she detested the beasts, her eternal and forsworn enemies, just as their mother had been an enemy of Athena.

They rounded a corner, moving from a passageway lined with a strange, shiny substance which felt cool to the touch to one of crudely-cut stone, when he spotted a tunnel off to the side, dug from raw earth, wrapped in thick roots which pried their way through the holes in the stones. Aegidius had noticed it as well, slowing his pace until he stopped entirely in front of the dark, gaping maw in the wall. “Aegidius,” Percy said, stopping as well. “What is it?”

It was as if he had not heard him. The satyr merely gazed into the black tunnel, his curly hair rustling in an impossible breeze.

“We cannot delay!” said Annabeth. “We must keep moving!”

“This is the way,” Aegidius muttered, hushed and reverent. “It is here.”

He couldn’t possibly mean… “The way to Pan?”

But Aegidius ignored him, turning instead to Tison, the creature whose very nature often rendered him speechless with fear. “Do you not smell it, too?”

“Yes,” said Tison. “Earth. The forest.”

Before them, the spider skittered further down the stone corridor. If they delayed any further, the trail would be lost to them.

“Once we have finished our errand for Hephaestus,” said Annabeth, “then we can return for Pan, I swear it.”

“The tunnel will have gone by then,” said Aegidius, with a confidence Percy had rarely seen before. “A door such as this will not remain open for long--and I must enter it.”

“But,” she said, desperate, “the forges!”

He looked at her sadly, but firmly. “I cannot go with you this time, Annabeth.”

Percy had forgotten--Aegidius was not only his companion. He had been Annabeth’s as well. He had been responsible for seeing her safely over the magical boundary in Sigeion. But the spider was nearly out of sight, and they could not tarry any longer before the gateway to the god. “We will continue to the forges,” he decided. “Aegidius, you go on to seek Pan.”

“No!” she gasped. “It is far too dangerous. If we part ways, we might never find each other again! And I cannot let you go alone.”

It was then that Tison, gentle creature he was, put his hand on Aegidius’ shoulder. As much fear as satyrs held for cyclops, Tison, for some odd reason, held just as much, if not more, for the satyrs. They had made an amusing pair at times, two of the sweetest, kindest people Percy had ever known, cowering in fear at the other. But Tison showed no fear now. Now, he was brave. “I shall go with him.”

Percy could not believe his ears. “You will?”

He nodded. “The satyr needs help. We shall find the god of the wild--together.”

Aegidius took a deep, steadying breath. “I wish I could see this through to the end with you, but--”

“I understand,” said Percy. The search for Pan was his life’s goal, the final prize in a quest which had taken his father, his father’s father, and so many searchers before him. If he did not succeed on this journey, the Council of Cloven Elders would never give him another chance. “I pray that you are right.”

Shoulders square, suddenly possessed of a confidence Percy had rarely ever seen from him, save for when he deliberated on how keftedes paled in comparison to spanakopita, he grinned. “I know that I am.”

Percy took a heartbeat to gaze on him one last time, imprinting him in his memory--just in case. “Be careful,” he told him. Then, he looked towards Tison, and opened his arms to his half-brother, who went into them willingly, squeezing Percy so strongly his eyes just about burst from his sockets.

Tison and Aegidius then disappeared into the darkness of the tree roots, lost to the wild.

“This was a mistake,” said Annabeth, her voice trembling. “We should not have let them go.”

“We will see them again,” Percy replied, attempting to summon Aegidius’ confidence. “Now, come on. The spider will not wait for us any longer.”

“Do not remind me,” she said, shuddering.

Before very long, the tunnel grew warmer, the stone walls red and glowing. The air felt as though they were walking through a giant oven, as though they had been transported into one of the forges beneath the villa for Hephaestus’ children, and he supposed, in a way, that they had. The tunnel sloped down, deeper into the earth, the spider nearly tripping over itself to reach the bottom, Annabeth right behind it.

Percy jogged to catch up. “Annabeth!” he called. “A moment?”

She glanced back at him, but did not cease her quick pace, forcing Percy to match her. “Yes?”

“I have a… question,” he panted, “regarding what Hephaestus… said, about your mother.”

“She swore never to marry,” Annabeth said, easily. Curses, Annabeth did not appear to be even remotely out of breath. He felt like such a fool compared to her, always. “She is one of the maiden goddesses, alongside Artemis and Hestia.”

Percy frowned. He had not recalled that detail about the war goddess--though, he was rather infamous for nodding off during lessons. Perhaps he had simply slept through that particular lesson. “But, if she is a maiden goddess, then--”

“How is it she came to have demigod children?”

Blushing, he nodded.

Now, this was not at all appropriate conversation, he knew. Young boys and girls were not meant to discuss such things with each other--not yet anyway. But Percy was nearly a man, and besides, he had spent enough time with Carlos and the older boys at the agoge to pick up a few pieces of knowledge here or there. Hopefully, Annabeth would think the flush on his cheeks was due to the heat of the cavern.

“Do you know how Athena was born?” she asked him.

“She was born from… the head of Zeus? In armor?”

“Precisely. She was literally born from his thoughts--and thus, her children are born the same way. When Athena falls in love with a mortal partner, it is a purely intellectual affair, just as it was with Odysseus in the epic tales. Our mother says that it is the truest kind of love.”

“So,” said Percy, frowning. “Your father and Athena… you were not--”

“I was born from their minds,” she interrupted, quickly. “Sprung from the divine thoughts of my mother and the mortal ingenuity of my father. Her children are gifts, blessings on the mortals she favors.”

“But--”

She turned to him, exasperated. “Percy, the spider has nearly vanished. Do you really wish for me to explain the precise details of my birth?”

Flushing even harder, he snapped his jaw shut.

Victorious again, she smirked. “I thought not.”

Running ahead to catch their guide, Percy followed, very neatly put in his place, and not certain he would ever be able to look at his friend the same way ever again. Some things, he decided, were perhaps better left as mysteries.

After another few minutes or so, they emerged into a cavern, larger than any stadium Percy had ever seen. It felt to be five times the size of the mighty Colosseum. There was no floor, just miles of bubbling lava beneath their feet. Standing on a rock ride which encircled the cavern, Percy saw a complex, overlapping network of metal bridges spanning the width of it, meeting on a huge platform in the center which housed the largest anvil he had ever seen, a block of iron the size of a villa. Dark, strange shapes moved about them, like formless shadows, too far away to discern what manner of creature they might be.

“We cannot sneak up on them,” said Percy, noting the distinct lack of places to hide with some despair.

With a slight grimace, Annabeth picked up their metal guide, its form having changed to a small ball, and slipped it into a fold in her dress. “I can. Wait here.”

“Hang on--” But Percy was too late, as Annabeth put on her magical cap, a gift from her mother, and vanished from his sight.

Percy cursed. He did not dare call after her, not willing to draw attention to her tactics, but nor did he appreciate the idea of her approaching the forge on her own. If those creatures could repel the likes of Hephaestus, what hope did Annabeth have? It was not safe. She was their leader--they could not risk her life. Percy would not risk her life.

Alas, he could never sit still for very long. Creeping along the outer rim of the lake of molten rock, he darted from stalagmite to stalagmite as best he could, hoping to find a better vantage point. Really, Annabeth should have known better.

The heat was horrendous, heavy and oppressive. Drenched in sweat, and eyes stinging with smoke, he moved along, staying as far from the edge as was physically possible, until he found his way stopped by a large metal box, fitted on wheels. Peering inside, he saw it was full scrapped metal, bits and bobs of broken swords and lumpy shields, piled on top of one another. Nothing he could reasonably use for an extra weapon, or even some kind of defense. Making to squeeze himself around it, he suddenly heard from up ahead a voice, rough and grating, speaking an ancient language which no man alive had heard for a thousand years.

Monsters, he knew.

There was no time to run away, no place to hide… except for the box. Leaping inside, covering himself with a dented aspis, he curled his fingers around his father’s sword, that blade Anaklusmos, hissing as the sharp metal of his bed cut between the soft parts of his armor, biting his tongue so no curse could escape.

With any luck, the monsters would pass him by, and he could continue along unmolested.

That was when, of course, that the box lurched forward, pushed along by the monsters, carrying Percy along with it. Malaka! Was he about to be tipped into a smelting pot?

All around him, he heard the chatter of terrible beasts. He was not so skilled in the ancient tongue as Annabeth, but even he could recognize a few words here or there, “weapon” and “cyclopes” and “furnace,” and some names as well: Zena, hissed with scorn, Posidaota, spat with bile, and, most chillingly of all, Kronos, spoken with reverence and awe.

Percy blinked against the sudden light as his cover was removed from his person, revealing himself to the monster, who was so taken aback by his presence, that it blinked back at him in return. For a few moments, neither of them moved, so shocked were they by the other’s sudden appearance. Then, springing into action, Percy slashed upwards, dissolving the beast in a cloud of golden smoke. Snatching up another shield and leaping from his bed of spikes, he saw with his preternatural vision a small army of at least twenty monsters, black like dogs, but with sleek, shiny skin, and legs which looked to be more suited for swimming than scrambling around the rocks of Aitne.

With a hearty battle-cry and another wide swipe, he repelled the front row of these creatures, carving himself some space to jump, sprinting for the mouth of the tunnel. The monsters followed after him, baying and growling as a pack of ravenous wolves, and they would have caught him, tearing him to pieces, had they been but a little bit faster. Thinking quickly, at the top of the tunnel, Percy hurled his shield into a column, the rocks crumbling upon impact, burying the monsters and blocking off the path with a great, noisy cave-in.

He doubted it would keep them trapped for very long. Not only that, he very much doubted that they had been the only monsters in the cavern. Percy had just announced his presence to anyone who might have been listening, destroying their chance for any sort of subtle reconnaissance.

And Annabeth was still out there, somewhere, invisible.

“Annabeth!” He yelled, running towards the platform at the center of the ocean of lava. “Annabe--!”

An invisible hand clamped over his mouth, wrestling him down behind a large, bronze cauldron. “Silence! Do you mean to have us killed?”

Arms flailing, he managed to locate her head, slipping off her cap of invisibility. She shimmered into view as an island emerging from the mist, scowling and covered in ash and grime. “It’s far too late for that,” he said, grimly. “I came upon a group of monsters, and brought the roof crashing down on them.”

Hissing curses, her hands clenched, as though she meant to strangle him, before she visibly managed to control her temper. “You said there were monsters?”

He nodded. “I know not what kind. I had thought they may have been dogs, were it not for their flippered feet and human hands, adorned with claws. They spoke of furnaces and weapons, making arms for the first Titanomachy.”

“Telkhines,” she gasped, eyes wide. “Of course! I should have known. I had wondered when I saw… well, look.”

Together they peered over the lip of the cauldron. In the center of the platform stood four of these demons, larger than any Percy had seen before, standing at least the size of a fully grown man. Their black, scaly skin glistened in the light of the fire as they labored, sparks flying between mighty hammer strikes on a long piece of glowing, hot metal, hissing to each other in the ancient language. “What are they saying?” he whispered to her. If he could not understand them, Annabeth surely would.

“They are talking of fusing metals,” she said, frowning. “Other than that, I--I cannot say.”

“Is that bad?”

She stared at him, incredulous. “The telkhines betrayed the gods,” she said, “for practicing dark magics. For their transgressions, Zeus banished them to Tartaros.”

“Alongside Kronos.”

She nodded. “We must return to Hephaestus at once--”

But no sooner had she spoken than a sharp, clawed hand pierced its way through the rubble of Percy’s cave-in, pushing aside the rocks which blocked its path, followed closely by its snout, teeth long and sharp and dripping with saliva. “You must return to the god,” Percy said, moving into a crouch. “Leave me here.”

“What?” she shrieked. “No! I will not leave you!”

At any other time, he would have praised her for her courage, but not now. “You must! Let me distract the monsters, and perhaps the spider can lead you back through the Labyrinth. You are the leader of this quest--you must take the message back to Hephaestus.”

“But you’ll be killed!”

“I’ll be fine,” he said, turning to face her. “As well, there is no other choice.”

She glared at him, her lips pulled back almost in a snarl worthy of one of the monsters. He knew this look of hers well--it was the one she wore whenever she considered hitting him for his foolishness.

But rather than hit him, she did something which shocked him even more.

She grasped the collar of his tunic, pulled him close, and kissed him. “Be careful, phykios,” she murmured against his lips, breath hot. Then she put on her cap, and vanished.

Percy couldn’t breathe, and not for the smoke. Had it not been for the lava, the monsters, the weapon, the quest, he would have been quite content to sit there all day, thinking of nothing but the softness of her mouth and the way her eyes sparkled in the firelight, unable to even recall his own name.

A sea demon screamed, jolting him back into reality.

The horde of monsters, freed from their prison, charged across the bridge towards him. Percy scrambled up from the ground, running for the middle of the platform, startling the large monsters so thoroughly that they dropped the red-hot blade over which they labored. It was as long as they were tall, curved like a crescent moon, its shape burning into his vision, sending shivers down his spine.

Unfortunately for Percy, the monsters recovered quickly from their shock. Every which way he turned, his exit was blocked by a small army, surrounding him. Cutting him off.

Raising Anaklusmos, he prayed that they could not see the blade shaking.

“Son of Poseidon,” rasped a demon, speaking Percy’s own language now. “We are honored by your visit, fish-blood.”

He spread his senses, casting about for an escape, but there was none. He was trapped.

“Will you strike us down, half-blood?” asked another one. “An you try, the rest of us shall tear you to shreds.” Licking its lips, it advanced on him, claws glinting in the glow of the forge. “Perhaps we shall deliver you to your father in pieces--an omen of the horror we shall visit upon him, and all the rest of the twelve, for their betrayal.”

Annabeth would not have allowed herself to be cornered this way, but Percy was no strategist. If the gods favored him at all, they would have seen to Annabeth’s escape, leaving him to his doom.

Was this to be his doom, he wondered? Trapped in the heart of a volcano, overrun by monsters which would use his bones to pick their teeth?

The tallest of the demons plunged its hand into the furnace, scooping a handful of molten rock. “Let us see the might of Olympus,” it said, grinning. “Let us see how long it takes him to burn!” And it threw the lava at Percy.

Dropping his sword, he swatted at his clothes which had been set alight, as though he had merely had an unfortunate run-in with the lava trap at the agoge, but it was not nearly enough, the fire engulfing him with each passing second. At first, oddly, it had only felt warm, though it grew hotter and hotter with every heartbeat.

“Your father’s nature protects you,” one monster sneered. “Makes you hard to burn. But not impossible, fish-blood. Not impossible.”

Later, Percy would struggle to remember the particulars. He would recall only the fire, and the pain. He would not remember how he crumpled to the floor in deepest agony, the sea demons howling in delight at his terror.

Nor would he remember the voice of the naiad at the farm of the giant Geryon. The water is within me, she had said.

Between waves of torment, there was a tugging sensation in his gut, calling vainly for water where there was none: not a river, nor a stream, nor even a petrified seashell. Percy called for the sea, the towering waves which could wash away villages, the currents which could destroy ships in a single blow, the endless power of the ocean, and he called for these things inside of himself, letting it loose in one terrible, horrible scream.

Fire and water collided, a typhoon of unearthly power shooting him up from the beating heart of Aitne on wings of superheated steam, peeling his skin away, another piece of flotsam flung from the earth by the force of the blast. Higher and higher he flew, further than Icarus, than Bellerophon, than Zeus himself, so high that the lord of the heavens would not be able to reach him--and then he fell, a shooting star, hurtling towards the sea which would not save him. Not this time.

#aegidius = grover btw #the marble king #perseannabeth #my fic #darkmagyk #pjo #percabeth #the rivalry ends here #marble timestamps

43 notes · View notes

castielgurl · 3 years ago

Text

Confessions

Romanogers week

Prompt: Role reversal

Hi admin, thanks for listening to my confession. My name is Natasha R, I am going to tell the story of me and my husband named Steve R. Enough with just the short name of the two of us. I was a martial arts trainer. My life was simple with the same routine every day. I was a simple person in fashion sense. Every day I put on a simple and the same makeup. As I got older my mother started to worried because I still unmarried. My mother suggested I get acquainted with the son of one of her friend. As a 30 -year -old woman, I didn't have an interesting love story. Until I met my husband Steve.

I didn’t object to the idea because I was also tired of finding a partner of my own. Meet some good guys as well as some bad ones. It's annoying. I decided to go on a date with Steve. My mother showed me his photo, Steve had pale skin. Neatly combed blonde hair, and clean shave. His shirt was pink, a tight t-shirt and a designer jacket. I admit he is better at fashion than I was. He is a handsome man. But I'm starting to wonder why such a handsome man doesn't have a partner?

I met Steve at a Starbucks café. The first time I saw Steve I was speechless. I watch him from top to toe. Steve wore a tight white turtle neck t-shirt showing off his sleek figure, tight black jeans. I felt very embarrassed by my simple dress. He also wears lip gloss. I laughed inside. When Steve started talked he had a soothing tone of voice. When he spoke he would moves his hands together as his speak. His hands looked soft as he often put lotion and even softer than my own hands. Yet Steve is not like any other man I have ever met. He was very polite and spoke softly. In fact, he didn’t stare at my boobs like other men. Eyes focus on me when I spoke. We talked about a variety of topics from fashion to the telenovelas that are currently being popularly aired on Netflix. Honestly, I feel comfortable with Steve and felt safe with him. Like talking to the best girlfriend in the world. When we finished the date he walked me up to the front door of my apartment. Steve walks exactly like the female catwalk model over the runway stage. I deliberately tested him, inviting him into the apartment. He refused it like a gentleman. Then he asked if I wanted to see him again. I answered of course. He was shocked because all the women he met hundred percent didn’t want to see him again after the first date. I was the first.

After we dated for a few months, Steve asked an unexpected question. If I wanted to get married. I did not take a long time to answer him. Because after getting to know him. Steve is the most gentlemanly, supportive, caring, kind-hearted man I have ever met. He never forced me, controlling, I never saw him got angry. Even Steve never raised his voice to me. Even when I’m too busy with work and have no time for him. I know that he is not like other men, he does not pretend to be macho, ego or masculine. But he was more of a man than all the men pretending to be like a real man. I accepted his proposal. Steve's reaction was also very funny. He cried when I said yes. He said he was not like other men. He asked many times if I wanted to change my mind. I said no I have already made my decisions. He promised to take care of me like his own life. He promised he would never see another woman. I laughed at his reactions. I told him I trusted him.

After we got married we stayed at Steve’s house. Steve's house was bigger, and he's good at decorating. The house is very modern, there are many flowers, beautiful paintings. Oh yes, I forgot to tell you what is Steve's job. He is a wedding planner. During our wedding night, Steve asked me to wait for our first night. Because he still felt awkward. He asked me to give him more time. I agree. That night I slept on the floor worried if Steve was uncomfortable. In the middle of the night, I felt like floating. I asked myself what happened? Steve carried me and put me on the bed. I was shocked because I never thought he was able to lift me! I definitely underestimate his strength too. He whispered to me and said

"Don't leave me on a bed alone, honey lemon." Did he just call me Honey Lemon? Cute names. This gives me a goosebumps

Steve not allowed me to work because he was able to support me and our families in the future. I smile when he talks about family. Steve said he dreamt to have many children. So I sit at home cooking, tidying the house. Every day I watched Netflix at home. When Steve comes back home from work he will watch Netflix with me. We will chat about the plot of the telenovela from our favorite series. It felt like talking to your BFF. Sometimes Steve would accidently hug me while we slept together. I felt very warm in his arms and don`t want him to let go. But he woke up and turned to another side of the bed. Apparently, this is how it felt to be hugged by your husband.

Steve took me out on a date when he had a day off. He will put make-up on me. He turned out to be excellent at make-up. He said I am very beautiful I just don`t know how to enhance my features. He loves my red hair and my plump lips. After he said that I kiss his cheeks, he blushed. He would hold my hand when crossing the street. He also introduced me as his wife to his friends he seemed very proud to show me off to everyone he knew. I really like our relationship like this. Like two besties.

One night, Steve and I have watched a telenovela on Netflix. Suddenly there is a love scene between the main male and female characters. I'm not a virgin but I felt embarrassed to watch a scene like that with Steve. I took the remote for fast forward. But Steve said no. I don’t want to continue to be in an awkward situation, I wanted to get up to go to the kitchen to make hot chocolate. But Steve pulled my hands gently and asked me to sit next to him. He asks when do we want to do the same thing as the scenes in the telenovela? My face turning red. Shocked by the question I said nothing. His fingers gripped my chin, his blue eyes increasingly visible in my eyes. He kissed my lips. I admit to once dreaming about him kissing me. Now, this is really happening. His kiss was slow, I returned his kiss. He then stopped and stared into my eyes. He said he wanted us to try tonight. It's only now that I really see him as a real man. I said why don't we do it now? I smiled he smiled too. I waited too long.

Our love-making I described as awkward at first, gentle, slow, romantic, and calm. Then we would laugh together remembering the awkwardness of the two of us after first seeing each other naked. Steve told me when he first time touching me down there he felt like electricity through his veins. We kept trying new positions, new costumes, and even different locations. It turns out that making love after marriage is more fun. Steve at first got afraid if he was being too rough. I know he never intended to hurt me. One of the best sex I’ve ever had was when Steve was behind me and my palms were on the wall, the panties I was wearing were stuck between my ankle. This, not Steve's favorite because he wanted to see my face during our love making. But the sex was more intense than usual. It made me forgot about everything in the world.

I tell this story to this page was just to fill my free time at home. And Steve approves the idea too. I just bored during pregnancy. Oh yes I am now six months pregnant. Steve and I are going to have a baby in January next year. Steve, on the other hand, is becoming more and more man day by day. He threw away all his old clothes and old habits. He was also the first to say I love you. We both can't wait to see our son for the first time. Steve wants at least four more children. Of course is up to me.

Thank you for reading my confessions.

#rromanogersweek #romanogers #romanogersweek2021 #steve rogers #natasha romanoff #captain america #black widow #stevenat

30 notes · View notes